Abstraction in the Twentieth Century
Author: Mark Lawrence Rosenthal
Publisher: ABRAMS
Published: 1996
Total Pages: 340
ISBN-13:
DOWNLOAD EBOOK →Exhibition: 2/9/-5/12/96, Distributed by Abrams.
Author: Mark Lawrence Rosenthal
Publisher: ABRAMS
Published: 1996
Total Pages: 340
ISBN-13:
DOWNLOAD EBOOK →Exhibition: 2/9/-5/12/96, Distributed by Abrams.
Author: Charles Harrison
Publisher: Yale University Press
Published: 1993-01-01
Total Pages: 280
ISBN-13: 9780300055160
DOWNLOAD EBOOK →On art in the early 20th century
Author: Alexander Alberro
Publisher: University of Chicago Press
Published: 2017-05-25
Total Pages: 320
ISBN-13: 022639400X
DOWNLOAD EBOOK →During the mid-twentieth century, Latin American artists working in several different cities radically altered the nature of modern art. Reimagining the relationship of art to its public, these artists granted the spectator an unprecedented role in the realization of the artwork. The first book to explore this phenomenon on an international scale, Abstraction in Reverse traces the movement as it evolved across South America and parts of Europe. Alexander Alberro demonstrates that artists such as Tomás Maldonado, Jesús Soto, Julio Le Parc, and Lygia Clark, in breaking with the core tenets of the form of abstract art known as Concrete art, redefined the role of both the artist and the spectator. Instead of manufacturing autonomous art, these artists produced artworks that required the presence of the spectator to be complete. Alberro also shows the various ways these artists strategically demoted regionalism in favor of a new modernist voice that transcended the traditions of the nation-state and contributed to a nascent globalization of the art world.
Author: Andrea Meyertholen
Publisher: Boydell & Brewer
Published: 2021
Total Pages: 311
ISBN-13: 1640141049
DOWNLOAD EBOOK →An alternative genealogy of abstract art, featuring the crucial role of 19th-century German literature in shaping it aesthetically, culturally, and socially.
Author: Rosenthal, Mark
Publisher:
Published: 1996
Total Pages: 0
ISBN-13: 9780810968905
DOWNLOAD EBOOK →Author: Kobena Mercer
Publisher:
Published: 2006-07-14
Total Pages: 236
ISBN-13:
DOWNLOAD EBOOK →How the formal ingenuity of abstract art has been cross-fertilized by creative discrepancies—a cross-cultural voyage stretching from Hong Kong and Islamic regions to Canada, Australia, Europe, and the United States. For anyone who thinks the question of abstract art is settled, this book will come as a surprise. Discrepant abstraction is hybrid and partial, elusive and repetitive, obstinate and strange. It includes almost everything that does not neatly fit into the institutional narrative of abstract art as a monolithic quest for artistic purity. Exploring cross-cultural scenarios in twentieth-century art, this second volume in the Annotating Art's Histories series alters our understanding of abstract art as a signifier of modernity by revealing the multiple directions it has taken in wide-ranging international contexts.Impure, imperfect, and incomplete, the version of abstraction that emerges from this global journey—from Hong Kong and Islamic regions to Canada, Australia, Europe, and the United States—shows how the formal ingenuity of abstract art has been cross-fertilized, from abstract expressionism onwards, by creative discrepancies that arise when disparate visual languages are brought into dialogue. Discrepant Abstraction is essential reading for students, practitioners and anyone curious about cross-cultural interaction in the visual arts. Copublished with inIVA/Institute of International Visual Arts, London
Author: Karolina Lewandowska
Publisher: National Geographic Books
Published: 2021-08-17
Total Pages: 0
ISBN-13: 0500094373
DOWNLOAD EBOOK →A groundbreaking study of the women of abstract art and their works, presented as a richly illustrated visual history. Women in Abstraction reevaluates the work of women abstract artists, changing the story of modern and contemporary art. A tie-in catalog to a major exhibition at Paris’s Centre Pompidou, this volume explores the fundamental role women artists played in the development of abstract art in the twentieth century. In this rich, sweeping collection, editors Christine Macel and Karolina Lewandowska bring together more than one hundred artists in painting, sculpture, dance, applied arts, photography, film, and performing arts. Understanding that abstract art must be looked at in the light of the artists’ political and personal surroundings, this volume dives into the creation and reception of these artworks over time. From the symbolist abstraction of Hilma af Klint, now widely regarded as the first abstract artist, and the sensual abstraction of Huguette Caland, to the purist non-objective approach of Verena Loewensberg, each artist’s relationship to abstraction is examined. These artworks are presented with thought- provoking essays by esteemed critics, contextualizing and exploring the subjects and themes of the movement. Ultimately, this volume questions the legitimacy of the notion of “female artists” and presents this group as simply artists, full of complexities and paradoxes.
Author: Frances Colpitt
Publisher:
Published: 2002-01
Total Pages: 212
ISBN-13: 9780521808361
DOWNLOAD EBOOK →By the middle of the 20th century, abstraction was the accepted language of art as practiced by painters and articulated by critics, who began to investigate its historical and theoretical dimensions. Abstract Art in the Late Twentieth Century includes seminal essays on abstract painting by eleven of its most incisive critics and written over four decades, between 1960 and 2000. Tracing the post-Greenbergian development of such critical issues as hard-edge painting, deductive and serial structure, monochrome abstraction, the psychological analogy, regionalism, and the 'death of painting' in post-modernism, they examine works by Ad Reinhardt, Frank Stella, Brice Marden, Sherrie Levine, and Gerhard Richter, among others. The introduction and commentary by Frances Colpitt situates the essays historically and examines their philosophical sources and influences, from formalism and phenomenology, to structuralism and poststructuralism. What emerges is a coherent and optimistic picture of abstract painting, the definitive contribution of modern art.
Author: Elisa Wouk Almino
Publisher: Rizzoli Publications
Published: 2020-05-26
Total Pages: 0
ISBN-13: 0847866998
DOWNLOAD EBOOK →The first comprehensive publication exploring the life and art of pioneering American abstract artist Alice Trumbull Mason is perfect for audiences eager to discover unsung yet brilliantly talented women artists. A groundbreaking artist, Alice Trumbull Mason (1904-1971) was one of the earliest painters of the twentieth century to embrace abstract painting in America. Mason's early paintings have been compared to those of Gorky, Kandinsky, and Miró, and in 1936 she became a founding member of the American Abstract Artists (AAA) and one of its leaders in the promotion of abstract work by artists such as Josef Albers, Ad Reinhardt, Piet Mondrian, and many others. Mason was a true artist's artist whose efforts helped lead to the great movements of later twentieth-century art, such as Abstract Expressionism, Pop Art, Post-Modernism, and Conceptual Art. Alice Trumbull Mason features essays that illuminate and contextualize the artist's multifaceted work and personal life through her paintings, prints, poetry, and letters. The book reveals the full life story of a seminal abstractionist, making a sound argument for adding her to the annals of great twentieth-century artists.
Author: Gordon Hughes
Publisher: University of Chicago Press
Published: 2014-11-25
Total Pages: 178
ISBN-13: 022615906X
DOWNLOAD EBOOK →The first English-language study of the influential French painter Robert Delaunay to appear in thirty years. Delaunay has long been appreciated as one of the leading Parisian artists of the early twentieth century. And art historians have consistently viewed his vibrantly colored paintings starting in 1912 as early experiments in abstraction. Hughes, however, tautly argues that Delaunay was not just one of the earliest artists to work in pure abstraction, but the earliest one to do so. The colorful, optically driven canvases that Delaunay produced set him apart from the more ethereal abstraction of Kandinsky, Mondrian, Malevich, and Kupka, with whom he is often clubbed and whose spiritual motivations he rejected. Delaunay s paintings were grounded in material sensation and reflected the modern optical science of his time. They had nothing in common with the idealism that drove Kandinsky and the others. As a result, his work set the stage not only for the kind of abstraction that would come to dominate painting in the mid twentieth century (Pollock, Stella, Still, Kline); it also inspired the critics who theorized and elevated that particular strain of modernist practice."