Abstract Expressionism

Abstract Expressionism PDF

Author: Joan M. Marter

Publisher: Rutgers University Press

Published: 2007

Total Pages: 322

ISBN-13: 0813539757

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A collection of essays that discuss abstract expressionist art.

Struggle Over the Modern

Struggle Over the Modern PDF

Author: Dennis Raverty

Publisher: Fairleigh Dickinson Univ Press

Published: 2005

Total Pages: 176

ISBN-13: 9780838640210

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"The most familiar strain of this debate to us today is formalism, which emphasized "purity" in art and culminated in the writing of the influential late modern critic, Clement Greenberg. The other critical position, he contends, is not as familiar to us today, partly because it was so overshadowed by formalist thought in the postwar period. This position emphasized the importance of "experience" over formal purity and is evident in the writing of Greenberg's rival, Harold Rosenberg, as well as in a number of American writers and critics from the first half of the century. Struggle Over the Modern reconstitutes this neglected yet important dimension of the avant-garde debate in American art criticism decade by decade."--Jacket.

Abstract Expressionism

Abstract Expressionism PDF

Author: Metropolitan Museum of Art (New York, N.Y.)

Publisher: Metropolitan Museum of Art

Published: 1992

Total Pages: 177

ISBN-13: 0870996568

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Abstract Expressionist works on paper from the permanent collection of The Metropolitan Museum of Art are presented in this volume, which documents the wealth of the Museum's holdings in that area. Many of them are published here for the first time, and several are recent additions to the collection. All are illustrated in full-page color reproductions that show the nuances of each work in great detail. The Abstract Expressionists are best known for their paintings and sculptures, and virtually all of the many publications about these artists concentrate on those large-scale works. This unique catalogue deals exclusively with their smaller, more intimate works on paper, providing many new insights about the routes that led to the Abstract Expressionists' innovative artistic accomplishments. The nineteen artists included are William Baziotes, James Brooks, Elaine de Kooning, Willem de Kooning, Arshile Gorky, Adolph Gottlieb, Philip Guston, Gerome Kamrowski, Franz Kline, Robert Motherwell, Barnett Newman, Jackson Pollock, Richard Pousette-Dart, Theodore Roszak, Mark Rothko, Anne Ryan, David Smith, Theodoros Stamos, and Mark Tobey. Each of them is discussed in a separate essay, which encompasses information about the artist's background and development, commentary about the importance of drawing in his or her oeuvre, and an analysis of each work in the selection. Also included in the essays is technical information about a number of the individual works that enhances understanding of the variety and originality of these artists' media and techniques.

Meanings of Abstract Art

Meanings of Abstract Art PDF

Author: Paul Crowther

Publisher: Routledge

Published: 2012-10-12

Total Pages: 312

ISBN-13: 1136455019

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Traditional art is based on conventions of resemblance between the work and that which it is a representation "of". Abstract art, in contrast, either adopts alternative modes of visual representation or reconfigures mimetic convention. This book explores the relation of abstract art to nature (taking nature in the broadest sense—the world of recognisable objects, creatures, organisms, processes, and states of affairs). Abstract art takes many different forms, but there are shared key structural features centered on two basic relations to nature. The first abstracts from nature, to give selected aspects of it a new and extremely unfamiliar appearance. The second affirms a natural creativity that issues in new, autonomous forms that are not constrained by mimetic conventions. (Such creativity is often attributed to the power of the unconscious.) The book covers three categories: classical modernism (Mondrian, Malevich, Kandinsky, Arp, early American abstraction); post-war abstraction (Pollock, Still, Newman, Smithson, Noguchi, Arte Povera, Michaux, postmodern developments); and the broader historical and philosophical scope.

The Power of Art

The Power of Art PDF

Author: Caroline Campbell

Publisher: Simon and Schuster

Published: 2024-01-02

Total Pages: 427

ISBN-13: 1639365508

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An epic work of art history that will transform our understanding of the world by unlocking the human stories behind millennia of art. Taking readers from ancient Babylon to contemporary Pyongyang, the eminent curator Caroline Campbell explains art's power to illuminate our lives—and inspires us to benefit from its transformative and regenerative power. Unlike the majority of contemporary art history, this book is about much more than the cult of artists’ personalities. Instead, each chapter is structured around a city at a particularly vibrant moment in its history, describing what propelled its creativity and innovation. The emotions and societies she evokes are highly recognizable, revealing how great art resonates powerfully by transcending the boundaries of time.

Women of Abstract Expressionism

Women of Abstract Expressionism PDF

Author: Joan Marter

Publisher: Yale University Press

Published: 2016-01-01

Total Pages: 217

ISBN-13: 0300208421

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This publication contains a survey of female abstract expressionist artists, revealing the richness and lasting influence of their work and the movement as a whole as well as highlighting the lack of critical attention they have received to date.

The Grove Encyclopedia of American Art

The Grove Encyclopedia of American Art PDF

Author: Joan M. Marter

Publisher: Oxford University Press, USA

Published: 2011

Total Pages: 3140

ISBN-13: 0195335791

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Arranged in alphabetical order, these 5 volumes encompass the history of the cultural development of America with over 2300 entries.

Artist as Author

Artist as Author PDF

Author: Christa Noel Robbins

Publisher: University of Chicago Press

Published: 2021-06-29

Total Pages: 236

ISBN-13: 022675300X

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With Artist as Author, Christa Noel Robbins provides the first extended study of authorship in mid-20th century abstract painting in the US. Taking a close look at this influential period of art history, Robbins describes how artists and critics used the medium of painting to advance their own claims about the role that they believed authorship should play in dictating the value, significance, and social impact of the art object. Robbins tracks the subject across two definitive periods: the “New York School” as it was consolidated in the 1950s and “Post Painterly Abstraction” in the 1960s. Through many deep dives into key artist archives, Robbins brings to the page the minds and voices of painters Arshile Gorky, Jack Tworkov, Helen Frankenthaler, Kenneth Noland, Sam Gilliam, and Agnes Martin along with those of critics such as Harold Rosenberg and Rosalind Krauss. While these are all important characters in the polemical histories of American modernism, this is the first time they are placed together in a single study and treated with equal measure, as peers participating in the shared late modernist moment.