Making Music Indigenous

Making Music Indigenous PDF

Author: Joshua Tucker

Publisher: University of Chicago Press

Published: 2019-02-22

Total Pages: 291

ISBN-13: 022660733X

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When thinking of indigenous music, many people may imagine acoustic instruments and pastoral settings far removed from the whirl of modern life. But, in contemporary Peru, indigenous chimaycha music has become a wildly popular genre that is even heard in the nightclubs of Lima. In Making Music Indigenous, Joshua Tucker traces the history of this music and its key performers over fifty years to show that there is no single way to “sound indigenous.” The musicians Tucker follows make indigenous culture and identity visible in contemporary society by establishing a cultural and political presence for Peru’s indigenous peoples through activism, artisanship, and performance. This musical representation of indigeneity not only helps shape contemporary culture, it also provides a lens through which to reflect on the country’s past. Tucker argues that by following the musicians that have championed chimaycha music in its many forms, we can trace shifting meanings of indigeneity—and indeed, uncover the ways it is constructed, transformed, and ultimately recreated through music.

Making Aboriginal Men and Music in Central Australia

Making Aboriginal Men and Music in Central Australia PDF

Author: Ase Ottosson

Publisher: Routledge

Published: 2020-05-31

Total Pages: 240

ISBN-13: 100018496X

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This detailed ethnographic study explores the intercultural crafting of contemporary forms of Aboriginal manhood in the world of country, rock and reggae music making in Central Australia. Focusing on four different musical contexts – an Aboriginal recording studio, remote Aboriginal settlements, small non-indigenous towns, and tours beyond the musicians’ homeland – the author challenges existing scholarly, political and popular understandings of Australian Aboriginal music, men, and related indigenous matters in terms of radical social, cultural and racial difference. Based on extensive anthropological field research among Aboriginal rock, country and reggae musicians in small towns and remote desert settlements in Central Australia, the book investigates how Aboriginal musicians experience and articulate various aspects of their male and indigenous sense of selves as they make music and engage with indigenous and non-indigenous people, practices, places, and sets of values.Making Aboriginal Men and Music is a highly original, intimate study which advances our understanding of contemporary indigenous and male identity formation within Aboriginal Australian society. Providing new analytical insights for scholars and students in fields such as social and cultural anthropology, cultural studies, popular music, and gender studies, this engaging text makes a significant contribution to the study of indigenous identity formation in remote Australia and beyond.

Making Aboriginal Men and Music in Central Australia

Making Aboriginal Men and Music in Central Australia PDF

Author: Ase Ottosson

Publisher: Routledge

Published: 2020-05-31

Total Pages: 191

ISBN-13: 1000181782

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This detailed ethnographic study explores the intercultural crafting of contemporary forms of Aboriginal manhood in the world of country, rock and reggae music making in Central Australia. Focusing on four different musical contexts – an Aboriginal recording studio, remote Aboriginal settlements, small non-indigenous towns, and tours beyond the musicians’ homeland – the author challenges existing scholarly, political and popular understandings of Australian Aboriginal music, men, and related indigenous matters in terms of radical social, cultural and racial difference. Based on extensive anthropological field research among Aboriginal rock, country and reggae musicians in small towns and remote desert settlements in Central Australia, the book investigates how Aboriginal musicians experience and articulate various aspects of their male and indigenous sense of selves as they make music and engage with indigenous and non-indigenous people, practices, places, and sets of values.Making Aboriginal Men and Music is a highly original, intimate study which advances our understanding of contemporary indigenous and male identity formation within Aboriginal Australian society. Providing new analytical insights for scholars and students in fields such as social and cultural anthropology, cultural studies, popular music, and gender studies, this engaging text makes a significant contribution to the study of indigenous identity formation in remote Australia and beyond.

Aboriginal Music Making

Aboriginal Music Making PDF

Author: Catherine J. Ellis

Publisher:

Published: 1964

Total Pages: 404

ISBN-13:

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Revision of 1961 Ph.D. thesis, Glasgow University; p.2-15; Types of Aboriginal music; p.16-22; Aranda social customs (brief description of kinship system, totemism, male initiation); p.23-50; Sacred songs of the Aranda-speaking people, notes & definitions, signs used in transcription, rhythm, catalogue of rhythms for 14 inidividual verses; p.51-296; Musical transcriptions of Aranda & Unmatjera songs with original text & free English translations given separately, comments on vocabulary & ceremonial background, musical construction, rhythm p.297-327; General characteristics - performance, ornamentation, melodic outline, rhythm, harmony, form, pitch, intervals & scale; p.328-346; Comparison with music from Arnhem Land, Central & South Aust. (Alice Springs, Hermannsburg, Eyres Peninsula, Mucumba, Koonibba), Tangane, Pintubi, Yirrkala and Tasmania.

Our Place, Our Music

Our Place, Our Music PDF

Author: Marcus Breen

Publisher: Aboriginal Studies Press

Published: 1989-11

Total Pages: 186

ISBN-13: 0855755679

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Surveys the latest developments in Aboriginal music across Australia and traces some of the historical influences which have shaped it

Aboriginal Music in Contemporary

Aboriginal Music in Contemporary PDF

Author: Anna Hoefnagels

Publisher: McGill-Queen's Press - MQUP

Published: 2012-02-24

Total Pages: 519

ISBN-13: 0773587136

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First Nations, Inuit, and Métis music in Canada is dynamic and diverse, reflecting continuities with earlier traditions and innovative approaches to creating new musical sounds. Aboriginal Music in Contemporary Canada narrates a story of resistance and renewal, struggle and success, as indigenous musicians in Canada negotiate who they are and who they want to be. Comprised of essays, interviews, and personal reflections by Aboriginal and non-Aboriginal musicians and scholars alike, the collection highlights themes of innovation, teaching and transmission, and cultural interaction. Individual chapters discuss musical genres ranging from popular styles including country and pop to nation-specific and intertribal practices such as powwows, as well as hybrid performances that incorporate music with theatre and dance. As a whole, this collection demonstrates how music is a powerful tool for articulating the social challenges faced by Aboriginal communities and an effective way to affirm indigenous strength and pride. Juxtaposing scholarly study with artistic practice, Aboriginal Music in Contemporary Canada celebrates and critically engages Canada's vibrant Aboriginal music scene. Contributors include Véronique Audet (Université de Montreal), Columpa C. Bobb (Tsleil Waututh and Nlaka'pamux, Manitoba Theatre for Young People), Sadie Buck (Haudenosaunee), Annette Chrétien (Métis), Marie Clements (Métis/Dene), Walter Denny Jr. (Mi'kmaw), Gabriel Desrosiers (Ojibwa, University of Minnesota, Morris), Beverley Diamond (Memorial University), Jimmy Dick (Cree), Byron Dueck (Royal Northern College of Music), Klisala Harrison (University of Helsinki), Donna Lariviere (Algonquin), Charity Marsh (University of Regina), Sophie Merasty (Dene and Cree), Garry Oker (Dane-zaa), Marcia Ostashewski (Cape Breton University), Mary Piercey (Memorial University), Amber Ridington (Memorial University), Dylan Robinson (Stó:lo, University of Toronto), Christopher Scales (Michigan State University), Gilles Sioui (Wendat), Gordon E. Smith (Queen's University), Beverly Souliere (Algonquin), Janice Esther Tulk (Memorial University), Florent Vollant (Innu) and Russell Wallace (Lil'wat).

Aboriginal Music, Education for Living

Aboriginal Music, Education for Living PDF

Author: Catherine J. Ellis

Publisher: St. Lucia, Qld. : University of Queensland Press

Published: 1985

Total Pages: 266

ISBN-13:

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South Australian music styles, cultural use, musical setting (dance, costume/make-up, terminology); song-forms, types, texts, the intoned story; Pitjantjatjara music system - structure and meaning; culture contact and changes to tribal music and its uses, incorporation into Western culture; Centre for Aboriginal Studies in Music; musics place in cross-cultural education.

The Legacy of Indigenous Music

The Legacy of Indigenous Music PDF

Author: Yu-hsiu Lu

Publisher: Springer Nature

Published: 2021-09-27

Total Pages: 248

ISBN-13: 981164473X

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This book shares essential insights into how indigenous music has been inherited and preserved under the influence of the dominant mainstream culture in Asia and Europe. It illustrates possible ways of handing down indigenous music in countries and regions with different levels of acceptance toward indigeneity, including Taiwan, the Philippines, Malaysia, Turkey, the Czech Republic, Slovakia, the Near and Middle East, Caucasus Mountains, etc. Given its focus, the book benefits researchers who are interested in the status quo of indigenous music around the globe. The macro- and micro-perspectives used to explore related issues, problems, and concerns also benefit those interested in regional ethnomusicology.

Musical Collaboration Between Indigenous and Non-Indigenous People in Australia

Musical Collaboration Between Indigenous and Non-Indigenous People in Australia PDF

Author: Katelyn Barney

Publisher: Taylor & Francis

Published: 2022-12-22

Total Pages: 163

ISBN-13: 1000813401

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This book demonstrates the processes of intercultural musical collaboration and how these processes contribute to facilitating positive relationships between Indigenous and non-Indigenous peoples in Australia. Each of the chapters in this edited collection examines specific examples in diverse contexts, and reflects on key issues that underpin musical exchanges, including the benefits and challenges of intercultural music making. The collection demonstrates how these musical collaborations allow Indigenous and non-Indigenous people to work together, to learn from each other, and to improve and strengthen their relationships. The metaphor of the “third space” of intercultural music making is interwoven in different ways throughout this volume. While focusing on Indigenous Australian/non-Indigenous intercultural musical collaboration, the book will be of interest globally as a resource for scholars and postgraduate students exploring intercultural musical communication in countries with histories of colonisation, such as New Zealand and Canada.