Author: Elizabeth Solopova
Publisher: Oxford University Press
Published: 2016
Total Pages: 344
ISBN-13: 1781382980
DOWNLOAD EBOOK →The catalogue is a detailed study of Oxford manuscripts of the Wycliffite Bible, the first complete translation of the Bible in English.
Author: Renana Bartal
Publisher: Routledge
Published: 2017-07-05
Total Pages: 247
ISBN-13: 1351565869
DOWNLOAD EBOOK →Gender, Piety, and Production in Fourteenth-Century English Apocalypse Manuscripts is the first in-depth study of three textually and iconographically diverse Apocalypses illustrated in England in the first half of the fourteenth century by a single group of artists. It offers a close look at a group of illuminators previously on the fringe of art historical scholarship, challenging the commonly-held perception of them as mere craftsmen at a time when both audiences and methods of production were becoming increasingly varied. Analyzing the manuscripts? codicological features, visual and textual programmes, and social contexts, it explores the mechanisms of a fourteenth-century commercial workshop and traces the customization of these books of the same genre to the needs and expectations of varied readers, revealing the crucial influence of their female audience. The book will be of interest to scholars and students of English medieval art, medieval manuscripts, and the medieval Apocalypse, as well as medievalists interested in late medieval spirituality and theology, medieval religious and intellectual culture, book patronage and ownership, and female patronage and ownership.
Author: Esperanza Alfonso
Publisher: BRILL
Published: 2021-10-25
Total Pages: 817
ISBN-13: 9004461221
DOWNLOAD EBOOK →Translating the Hebrew Bible in Medieval Iberia provides the princeps diplomatic edition and a comprehensive study of Oxford, Bodleian Library, MS Hunt. 268. The manuscript, produced in the Iberian Peninsula in the late thirteenth century, features a biblical glossary-commentary in Hebrew that includes 2,018 glosses in the vernacular and 156 in Arabic, and to date is the only manuscript of these characteristics known to have been produced in this region. Esperanza Alfonso has edited the text and presents here a study of it, examining its pedagogical function, its sources, its exegetical content, and its extraordinary value for the study of biblical translation in the Iberian Peninsula and in the Sephardic Diaspora. Javier del Barco provides a detailed linguistic study and a glossary of the corpus of vernacular glosses. For a version with a list of corrections and additions, see https://digital.csic.es/handle/10261/265401.
Author: Thomas Patrick Halton
Publisher: White Plains, N.Y. : Kraus International
Published: 1986
Total Pages: 424
ISBN-13:
DOWNLOAD EBOOK →Author: University of Illinois at Urbana-Champaign. Library. Rare Book Room
Publisher:
Published: 1972
Total Pages: 850
ISBN-13:
DOWNLOAD EBOOK →Author: Harvard University. Fine Arts Library
Publisher:
Published: 1971
Total Pages: 856
ISBN-13:
DOWNLOAD EBOOK →Author: Dieter Studer-Joho
Publisher: Narr Francke Attempto Verlag
Published: 2017-11-27
Total Pages: 329
ISBN-13: 3772000304
DOWNLOAD EBOOK →While quill and ink were the writing implements of choice in the Anglo-Saxon scriptorium, other colouring and non-colouring writing implements were in active use, too. The stylus, among them, was used on an everyday basis both for taking notes in wax tablets and for several vital steps in the creation of manuscripts. Occasionally, the stylus or perhaps even small knives were used for writing short notes that were scratched in the parchment surface without ink. One particular type of such notes encountered in manuscripts are dry-point glosses, i.e. short explanatory remarks that provide a translation or a clue for a lexical or syntactic difficulty of the Latin text. The present study provides a comprehensive overview of the known corpus of dry-point glosses in Old English by cataloguing the 34 manuscripts that are currently known to contain such glosses. A first general descriptive analysis of the corpus of Old English dry-point glosses is provided and their difficult visual appearance is discussed with respect to the theoretical and practical implications for their future study.