A Rebel of 61 (Classic Reprint)

A Rebel of 61 (Classic Reprint) PDF

Author: Joseph R. Stonebraker

Publisher: Forgotten Books

Published: 2017-09-17

Total Pages: 194

ISBN-13: 9781528571043

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Excerpt from A Rebel of 61 Samuel Shafer. Old Distillery, at Marsh Run Bird's eye view of an ancient portion of Funkstown. Antietam Creek and Island Pickaninnies. Henry Stonebraker's Funkstown home, 1847 Michael Stonebraker's homestead, built in 1804 Solomon J. Keller, political prisoner, 1862 Jos. E. Williams, political prisoner, 1862. Hauck's Barn, right of the Confederate line Stover's Barn, center of the Confederate line Stonebraker's Barn, left of the Confederate line Captain A. S. Stonebraker, A. Q. M Jos. R. Stonebraker, in Confederate uniform *maryland Battalion on the War Path, December, 1864, by Allen C. Redwood William F. Wharton, Co. C, Maryland Battalion. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

A Rebel of 61

A Rebel of 61 PDF

Author: Joseph R Stonebraker

Publisher: Legare Street Press

Published: 2021-09-09

Total Pages: 320

ISBN-13: 9781013911408

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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Kenneth Tynan

Kenneth Tynan PDF

Author: Dominic Shellard

Publisher: Yale University Press

Published: 2003-01-01

Total Pages: 436

ISBN-13: 9780300099195

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Kenneth Tynan (1927-1980) lived one of the most intriguing theatre lives of the twentieth century. A brilliant writer, critic and agent provocateur he made friends or enemies of nearly every major actor, playwright, impresario and movie mogul of the 1950s, 60s, and 70s. Working on each side of the Atlantic during various periods in his career, Tynan wrote for the Evening Standard, the Observer, and the New Yorker; was lured by Laurence Olivier in the early 1960s to become dramaturg of Britain's newly formed National Theatre; and spent his final years in Los Angeles. This biography offers the first complete appraisal of Tynan's powerful contribution to post-war British theatre, set against the context of the fifties, sixties and seventies of his own turbulent life. Shellard proves beneath the celebrity myths to uncover Tynan the private man and theatre genius. He draws on Tynan's own extensive personal papers and diaries, taped interviews with theatre professionals who knew him and fascinating letters to such correspondents as Tennessee Williams, Marlene Dietrich, George Devine, Peter Brook, Alec Guiness and Terence Rattigan. Shellard highlights Tynan's early writings, when the brilliant young critic came to national prominence, and discusses how Tynan gained a left-wing readership, took his place at the vanguard of the new realist movement, and helped to establish subsidized theatre. He shows how, through indefatigable battles against theatre censorship and railings against the myopia of a politically and culturally insular Britain, Tynan helped create some of the most controversial theatrical events of the 1960s and 70s, including Oh Calcutta! Exploring the public and private sides of Tynan, Shellard reveals an outspoken, explicit and sometimes savage critic who ranks among the most influential theatre figures of the twentieth century.

A Rebel Of ¿61

A Rebel Of ¿61 PDF

Author: Joseph R Stonebraker

Publisher: Theclassics.Us

Published: 2013-09

Total Pages: 40

ISBN-13: 9781230471112

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This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1899 edition. Excerpt: ... of running into a Federal picket post. I hurried across the old stone bridge, and up and over the same hill that Braddock's troops had climbed more than a century before. I met the Confederate's out-post about a mile north of Williamsport, which point I reached at sunrise, and waded the Potomac river. At noon I overtook the rear guard of Gen. Early's Infantry, moving southward, when I joined and entered into conversation with a ragged and weary-looking veteran, who, upon learning f my purpose, said: "You take the advice of an old soldier, and go back to your home." No doubt my youthful appearance had excited his pity, but his advice did not dampen my ardor, for I pushed on through Martinsburg and halted for the night just south of Darkesville, being both tired and homesick, having walked 26 miles since leaving home. Here one of Gen. John C. Breckenridge's couriers shared his blanket with me. The General occupied a tent nearby; his imposing presence and soldierly bearing excited my admiration. The fact that he had been the presidential candidate of the "States-Rights " party in 1860 greatly increased my interest. I met a young man, who had lately left his home in Baltimore; we journeyed together by leaving the pike and taking the road that ran parallel but farther to the west. We thought our chances would be better to get something to eat by getting away from the main thoroughfare, as we had to depend upon the kindness of the citizens to supply our wants. We reached Winchester late in the day and parted company. My object now was to find Dr. Stonebraker an Uncle, whom I knew was in the Army. I learned he was encamped near Bunker Hill, but Winchester being under martial law, it was much easier to get in than out--a pass...

The Rebel Yell

The Rebel Yell PDF

Author: Craig A. Warren

Publisher: University of Alabama Press

Published: 2014-09-07

Total Pages: 237

ISBN-13: 0817318488

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The first comprehensive history of the fabled Confederate battle cry from its origins and myths through its use in American popular culture No aspect of Civil War military lore has received less scholarly attention than the battle cry of the Southern soldier. In The Rebel Yell, Craig A. Warren brings together soldiers' memoirs, little-known articles, and recordings to create a fascinating and exhaustive exploration of the facts and myths about the “Southern screech.” Through close readings of numerous accounts, Warren demonstrates that the Rebel yell was not a single, unchanging call, but rather it varied from place to place, evolved over time, and expressed nuanced shades of emotion. A multifunctional act, the flexible Rebel yell was immediately recognizable to friends and foes but acquired new forms and purposes as the epic struggle wore on. A Confederate regiment might deliver the yell in harrowing unison to taunt Union troops across the empty spaces of a battlefield. At other times, individual soldiers would call out solo or in call-and-response fashion to communicate with or secure the perimeters of their camps. The Rebel yell could embody unity and valor, but could also become the voice of racism and hatred. Perhaps most surprising, The Rebel Yell reveals that from Reconstruction through the first half of the twentieth century, the Rebel yell—even more than the Confederate battle flag—served as the most prominent and potent symbol of white Southern defiance of Federal authority. With regard to the late-twentieth and early twenty-first centuries, Warren shows that the yell has served the needs of people the world over: soldiers and civilians, politicians and musicians, re-enactors and humorists, artists and businessmen. Warren dismantles popular assumptions about the Rebel yell as well as the notion that the yell was ever “lost to history.” Both scholarly and accessible, The Rebel Yell contributes to our knowledge of Civil War history and public memory. It shows the centrality of voice and sound to any reckoning of Southern culture.