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Author: Theodore Dreiser
Publisher:
Published: 2008
Total Pages: 400
ISBN-13:
DOWNLOAD EBOOK →Collects letters written by American novelist and journalist Theodore Dreiser in which he expresses his thoughts on writing and publishing and topics related to his work as an author and organizer, with notes on the context of the letters.
Author: Jonathan Beale
Publisher: Routledge
Published: 2017-06-14
Total Pages: 232
ISBN-13: 1351995626
DOWNLOAD EBOOK →Wittgenstein criticised prevailing attitudes toward the sciences. The target of his criticisms was ‘scientism’: what he described as ‘the overestimation of science’. This collection is the first study of Wittgenstein’s anti-scientism - a theme in his work that is clearly central to his thought yet strikingly neglected by the existing literature. The book explores the philosophical basis of Wittgenstein’s anti-scientism; how this anti-scientism helps us understand Wittgenstein’s philosophical aims; and how this underlies his later conception of philosophy and the kind of philosophy he attacked. An outstanding team of international contributors articulate and critically assess Wittgenstein’s views on scientism and anti-scientism, making Wittgenstein and Scientism essential reading for students and scholars of Wittgenstein’s work, on topics as varied as the philosophy of mind and psychology, philosophical practice, the nature of religious belief, and the place of science in modern culture. Contributors: Jonathan Beale, William Child, Annalisa Coliva, David E. Cooper, Ian James Kidd, James C. Klagge, Danièle Moyal-Sharrock, Rupert Read, Genia Schönbaumsfeld, Severin Schroeder, Benedict Smith, and Chon Tejedor.
Author: Donald Pizer
Publisher: University of Illinois Press
Published: 2010-10-01
Total Pages: 111
ISBN-13: 0252092171
DOWNLOAD EBOOK →American Naturalism and the Jews examines the unabashed anti-Semitism of five notable American naturalist novelists otherwise known for their progressive social values. Hamlin Garland, Frank Norris, and Theodore Dreiser all pushed for social improvements for the poor and oppressed, while Edith Wharton and Willa Cather both advanced the public status of women. But they all also expressed strong prejudices against the Jewish race and faith throughout their fiction, essays, letters, and other writings, producing a contradiction in American literary history that has stymied scholars and, until now, gone largely unexamined. In this breakthrough study, Donald Pizer confronts this disconcerting strain of anti-Semitism pervading American letters and culture, illustrating how easily prejudice can coexist with even the most progressive ideals. Pizer shows how these writers' racist impulses represented more than just personal biases, but resonated with larger social and ideological movements within American culture. Anti-Semitic sentiment motivated such various movements as the western farmers' populist revolt and the East Coast patricians' revulsion against immigration, both of which Pizer discusses here. This antagonism toward Jews and other non-Anglo-Saxon ethnicities intersected not only with these authors' social reform agendas but also with their literary method of representing the overpowering forces of heredity, social or natural environment, and savage instinct.
Author: Hena Maes-Jelinek
Publisher: Librairie Droz
Published: 2013-05-22
Total Pages: 596
ISBN-13: 9782251661902
DOWNLOAD EBOOK →The main concern of this study is the artist’s vision of society; its major theme is the relation between the individual and society resulting from the impact of social and political upheavals on individual life. By criticism of society I mean the novelist’s awareness of the social reality and of the individual’s response to it; the writers I deal with all proved alive to the changes that were taking place in English society between the two World Wars. Though the social attitudes of the inter-war years as well as the writers’ response to them were shaped by lasting and complex influences, such as trends in philosophy and science, the two Wars stand out as determining factors in the development of the novel: the consequences of the First were explored by most writers in the Twenties, whereas in the following decade the novelists felt compelled to voice the anxiety aroused by the threat of another conflict and to warn against its possible effects. After the First World War many writers felt keenly the social disruption: the old standards, which were thought to have made this suicidal War possible, were distrusted; the code of behaviour and the moral values of the older generation were openly criticized for having led to bankruptcy. Disparagement of authority increased the individual’s sense of isolation, his insecurity, his disgust or fear. Even the search for pleasure so widely satirized in the Twenties was the expression of a cynicism born of despair. The ensuing disengagement of the individual from his environment became a major theme in the novel: his isolation was at once a cause for resentment and the source of his fierce individualism.
Author: W. J. T. Mitchell
Publisher: University of Chicago Press
Published: 2013-12-23
Total Pages: 419
ISBN-13: 022624590X
DOWNLOAD EBOOK →Why do we have such extraordinarily powerful responses toward the images and pictures we see in everyday life? Why do we behave as if pictures were alive, possessing the power to influence us, to demand things from us, to persuade us, seduce us, or even lead us astray? According to W. J. T. Mitchell, we need to reckon with images not just as inert objects that convey meaning but as animated beings with desires, needs, appetites, demands, and drives of their own. What Do Pictures Want? explores this idea and highlights Mitchell's innovative and profoundly influential thinking on picture theory and the lives and loves of images. Ranging across the visual arts, literature, and mass media, Mitchell applies characteristically brilliant and wry analyses to Byzantine icons and cyberpunk films, racial stereotypes and public monuments, ancient idols and modern clones, offensive images and found objects, American photography and aboriginal painting. Opening new vistas in iconology and the emergent field of visual culture, he also considers the importance of Dolly the Sheep—who, as a clone, fulfills the ancient dream of creating a living image—and the destruction of the World Trade Center on 9/11, which, among other things, signifies a new and virulent form of iconoclasm. What Do Pictures Want? offers an immensely rich and suggestive account of the interplay between the visible and the readable. A work by one of our leading theorists of visual representation, it will be a touchstone for art historians, literary critics, anthropologists, and philosophers alike. “A treasury of episodes—generally overlooked by art history and visual studies—that turn on images that ‘walk by themselves’ and exert their own power over the living.”—Norman Bryson, Artforum
Author: Douglas Sirk
Publisher: Rutgers University Press
Published: 1991
Total Pages: 364
ISBN-13: 9780813516455
DOWNLOAD EBOOK →Douglas Sirk (Claus Detler Sierck) was born in Hamburg, Germany, in 1900. He made nine films before fleeing Nazi Germany, eventually coming to America. His best-known films, made during the 1950s--all of them melodramas--were Magnificent Obsession, All That Heaven Allows, The Tarnished Angels, Written on the Wind, and Imitation of Life (made in 1958, released in 1959). This volume includes the complete continuity script of the film, critical commentary and published reviews, interviews with the director, and a filmography and bibliography. It also includes an excellent introduction by Lucy Fischer.
