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A History of Polish Theater, 1939-1989

Author: Kazimierz Braun

Publisher: Praeger

Published: 1996-02-06

Total Pages: 256

ISBN-13:

This work explores Polish theater within the context of the political predicament of the country, which was conquered and divided by Nazi Germany and the Soviet Union (1939-1945) and then ruled by the Soviets' imposed Communist regime (1945-1989). Braun examines theatrical events, describes productions, and portrays artists from aesthetic, cultural, and political viewpoints with a scholarly and impartial perspective. This comprehensive introduction, the first of its kind in English, includes brief overviews of the history of Poland and Polish theater, clear discussions of major theatrical developments and the facets of theatrical life in Poland, and 26 detailed profiles of the leading theater artists of the period. The book is supplemented with a bibliography of sources in English and Polish, and indexes of names and plays (with titles in both English and Polish).

Polish Theatre after the Fall of Communism

Author: Olga Śmiechowicz

Publisher: Cambridge Scholars Publishing

Published: 2018-10-09

Total Pages: 220

ISBN-13: 1527518469

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In international theatre studies, there has been a dearth of studies on Polish contemporary theatre. This book investigates how Polish theatre has changed since 1989 and the fall of Communism. It introduces the most prominent Polish theatre directors, namely Krystian Lupa and his two extremely talented students Krzysztof Warlikowski and Jan Klata. All three of them represent three absolutely different types of aesthetics and ways of thinking about theatre: Krystian Lupa mostly concentrates on Austrian and Russian literature. Krzysztof Warlikowski’s theatre is based on stage versions of William Shakespeare or Ancient authors. Jan Klata focuses his attention on Polish history and current social problems. This book highlights the creativity of Polish contemporary theatre, and shows how different from most theatre traditions in other European countries it is.

World Encyclopedia of Contemporary Theatre

Author: Irving Brown (Consulting Bibliographer)

Publisher: Routledge

Published: 2013-10-11

Total Pages: 546

ISBN-13: 1136119000

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An annotated world theatre bibliography documenting significant theatre materials published world wide since 1945, plus an index to key names throughout the six volumes of the series.

Being Poland

Author: Tamara Trojanowska

Publisher: University of Toronto Press

Published: 2018-11-05

Total Pages: 853

ISBN-13: 1442622520

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Being Poland offers a unique analysis of the cultural developments that took place in Poland after World War One, a period marked by Poland’s return to independence. Conceived to address the lack of critical scholarship on Poland’s cultural restoration, Being Poland illuminates the continuities, paradoxes, and contradictions of Poland’s modern and contemporary cultural practices, and challenges the narrative typically prescribed to Polish literature and film. Reflecting the radical changes, rifts, and restorations that swept through Poland in this period, Polish literature and film reveal a multitude of perspectives. Addressing romantic perceptions of the Polish immigrant, the politics of post-war cinema, poetry, and mass media, Being Poland is a comprehensive reference work written with the intention of exposing an international audience to the explosion of Polish literature and film that emerged in the twentieth century.

Acting

Author: Mary Beth Osnes

Publisher: Bloomsbury Publishing USA

Published: 2001-12-07

Total Pages: 453

ISBN-13: 1576078043

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A groundbreaking, cross-cultural reference work exploring the diversity of expression found in rituals, festivals, and performances, uncovering acting techniques and practices from around the world. Acting: An International Encyclopedia explores the amazing diversity of dramatic expression found in rituals, festivals, and live and filmed performances. Its hundreds of alphabetically arranged, fully referenced entries offer insights into famous players, writers, and directors, as well as notable stage and film productions from around the world and throughout the history of theater, cinema, and television. The book also includes a surprising array of additional topics, including important venues (from Greek amphitheaters to Broadway and Hollywood), acting schools (the Actor's Studio) and companies (the Royal Shakespeare), performance genres (from religious pageants to puppetry), technical terms of the actor's art, and much more. It is a unique resource for exploring the techniques performers use to captivate their audiences, and how those techniques have evolved to meet the demands of performing through Greek masks and layers of Kabuki makeup, in vast halls or tiny theaters, or for the unforgiving eye of the camera.

World Political Theatre and Performance

Author:

Publisher: BRILL

Published: 2020-06-22

Total Pages: 253

ISBN-13: 9004430997

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World Political Theatre and Performance brings together scholars and practitioners from multiple locations to analyse counter-hegemonic theatre and performance. International case studies are framed by a common reflection on the meaning of radical practice in the face of global neoliberalism.

The Post-traumatic Theatre of Grotowski and Kantor

Author: Magda Romanska

Publisher: Anthem Press

Published: 2014-10-01

Total Pages: 420

ISBN-13: 1783083212

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Despite its international influence, Polish theatre remains a mystery to many Westerners. This volume attempts to fill in current gaps in English-language scholarship by offering a historical and critical analysis of two of the most influential works of Polish theatre: Jerzy Grotowski’s ‘Akropolis’ and Tadeusz Kantor’s ‘Dead Class’. By examining each director’s representation of Auschwitz, this study provides a new understanding of how translating national trauma through the prism of performance can alter and deflect the meaning and reception of theatrical works, both inside and outside of their cultural and historical contexts.

The Post-traumatic Theatre of Grotowski and Kantor

Author:

Publisher: Anthem Press

Published:

Total Pages: 421

ISBN-13: 0857285165

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Over the Wall/After the Fall

Author: Sibelan Forrester

Publisher: Indiana University Press

Published: 2004-10-29

Total Pages: 342

ISBN-13: 9780253110350

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"... a hot subject in today's scholarship... and a groundbreaking project of vital significance to the field of cultural studies at both 'western' and 'eastern' geographical locations." -- Elwira Grossman Over the Wall/After the Fall maps a new discourse on the evolution of cultural life in Eastern Europe following the end of communism. Departing from traditional binary views of East/West, the contributors to this volume consider the countries and the peoples of the region on their own terms. Drawing on insights from cultural studies, gender theory, and postcolonial studies, this lively collection addresses gender issues and sexual politics, consumerism, high and popular culture, architecture, media, art, and theater. Among the themes of the essays are the Western pop success of Bulgarian folk choirs, the Czechs' reception of Frank Gehry's unconventional building in the center of Prague, bohemians in Lviv, and cryptographic art installations from Bratislava.

Theatre, Globalization and the Cold War

Author: Christopher B. Balme

Publisher: Springer

Published: 2017-06-05

Total Pages: 350

ISBN-13: 3319480847

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This book examines how the Cold War had a far-reaching impact on theatre by presenting a range of current scholarship on the topic from scholars from a dozen countries. They represent in turn a variety of perspectives, methodologies and theatrical genres, including not only Bertolt Brecht, Jerzy Grotowski and Peter Brook, but also Polish folk-dancing, documentary theatre and opera production. The contributions demonstrate that there was much more at stake and a much larger investment of ideological and economic capital than a simple dichotomy between East versus West or socialism versus capitalism might suggest. Culture, and theatrical culture in particular with its high degree of representational power, was recognized as an important medium in the ideological struggles that characterize this epoch. Most importantly, the volume explores how theatre can be reconceptualized in terms of transnational or even global processes which, it will be argued, were an integral part of Cold War rivalries.