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A Glossary of Rhetorical Terms

Author: Gregory T Howard

Publisher: Xlibris Corporation

Published: 2018-06-12

Total Pages: 151

ISBN-13: 1984533924

Every writer desires to write more effectively, every speaker wishes to deliver more powerful orations, and every person wants to communicate more clearly. Those who achieve clarity and effectiveness usually stumble upon it eventually over many years of practice and repetition. Rhetoric makes this process more efficient and effective by providing writers or speakers with the tools to analyze and improve upon their own formal communication. This resource contains over 400 rhetorical devices and definitions. These devices are the music notes of communication. Their study and proper use allow individuals to intricately orchestrate their thoughts and ideas into clear and beautiful statements, sentences, and speeches.

Rhetorical Terms and Concepts

Author: George Y. Trail

Publisher: Cengage Learning

Published: 2000

Total Pages: 252

ISBN-13:

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A concise readable, vocabulary of terms and concepts useful in describing and analyzing writing. Intended to be used as either a reference tool or as an independent text, the glossary allows the user to consult a term as needed to better understand the concepts behind the language of rhetoric.

The Concise Oxford Dictionary of Literary Terms

Author:

Publisher:

Published: 1996

Total Pages: 373

ISBN-13: 0199208271

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Glossary of Greek Rhetorical Terms Connected to Methods of Argumentation, Figures and Tropes from Anaximenes to Quintilian

Author: R. Dean Anderson

Publisher: Peeters Publishers

Published: 2000

Total Pages: 140

ISBN-13: 9789042908468

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This Glossary was written as a companion volume to Anderson's Ancient Rhetorical Theory and Paul. It is of course far more than a glossary in the strict sense of that word, providing the reader with a brief overview of the varied use of a given term in the works of the rhetorical theorists from Anaximenes (end of the 4th century BC) through to Quintilian (end of the first century AD). For this time period an attempt has been made to provide the reader with an exhaustive list of referencess to the primary texts. The Glossary is primarily intended as an aid to those attempting to use and apply Greek rhetorical methods of argumentation (excluding the theoretical stasis terminology), figures and tropes to literature of the Hellenistic and early Imperial period. That is, however, not to say that use of this glossary may not be handy for those wishing to utilise later sources. Whilst the Glossary also includes reference to later sources where these illuminate concepts functioning within the target period, the use of this work in conjunction with the reading of late rhetorical sources should aid the reader in determining where theoretical or terminological development is taking place, and where the sources are clearly relying upon traditional concepts. The Glossary is not intended to replace the study of primary rhetorical texts, but to facilitate this study by providing a brief overview and by pointing the reader to appropriate passages in various works which may then be further consulted.

A Glossary of Literary Terms

Author: Meyer Howard Abrams

Publisher: Wadsworth Publishing Company

Published: 2005

Total Pages: 0

ISBN-13: 9781413002188

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This text defines and discusses terms, critical theories, and points of view that are commonly used to classify, analyse, interpret, and write the history of works of literature. The Glossary presents a series of essays in alphabetic order.

Cicero, Against Verres, 2.1.53-86

Author: Marcus Tullius Cicero

Publisher: Open Book Publishers

Published: 2011

Total Pages: 212

ISBN-13: 1906924538

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This volume provides a portion of the original text of Ciceros speech in Latin, a detailed commentary, study aids and a translation. Ingo Gildenhards commentary will be of particular interest to students of Latin at both high school and undergraduate level. It will also be of help to Latin teachers and to anyone interested in Cicero, language and rhetoric, and the legal culture of Ancient Rome. A free online interactive edition is also available.

Ovid, Metamorphoses, 3.511-733

Author: Ingo Zissos Andrew Gildenhard

Publisher:

Published: 2020-10-09

Total Pages: 256

ISBN-13: 9781013286513

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This extract from Ovid's 'Theban History' recounts the confrontation of Pentheus, king of Thebes, with his divine cousin, Bacchus, the god of wine. Notwithstanding the warnings of the seer Tiresias and the cautionary tale of a character Acoetes (perhaps Bacchus in disguise), who tells of how the god once transformed a group of blasphemous sailors into dolphins, Pentheus refuses to acknowledge the divinity of Bacchus or allow his worship at Thebes. Enraged, yet curious to witness the orgiastic rites of the nascent cult, Pentheus conceals himself in a grove on Mt. Cithaeron near the locus of the ceremonies. But in the course of the rites he is spotted by the female participants who rush upon him in a delusional frenzy, his mother and sisters in the vanguard, and tear him limb from limb.The episode abounds in themes of abiding interest, not least the clash between the authoritarian personality of Pentheus, who embodies 'law and order', masculine prowess, and the martial ethos of his city, and Bacchus, a somewhat effeminate god of orgiastic excess, who revels in the delusional and the deceptive, the transgression of boundaries, and the blurring of gender distinctions.This course book offers a wide-ranging introduction, the original Latin text, study aids with vocabulary, and an extensive commentary. Designed to stretch and stimulate readers, Gildenhard and Zissos's incisive commentary will be of particular interest to students of Latin at AS and undergraduate level. It extends beyond detailed linguistic analysis to encourage critical engagement with Ovid's poetry and discussion of the most recent scholarly thought. This work was published by Saint Philip Street Press pursuant to a Creative Commons license permitting commercial use. All rights not granted by the work's license are retained by the author or authors.

The Oxford Dictionary of Literary Terms

Author: Chris Baldick

Publisher: OUP Oxford

Published: 2008-03-20

Total Pages: 377

ISBN-13: 019101821X

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The best-selling Oxford Dictionary of Literary Terms (formerly the Concise dictionary) provides clear, concise, and often witty definitions of the most troublesome literary terms from abjection to zeugma. It is an essential reference tool for students of literature in any language. It is now available in a new and expanded edition and includes increased coverage of new terms from modern critical and theoretical movements, such as feminism, and schools of American poetry, Spanish verse forms, life writing, and crime fiction. It includes extensive coverage of traditional drama, versification, rhetoric, and literary history, as well as updated and extended advice on recommended further reading and a pronunciation guide to more than 200 terms. New to this edition are recommended entry-level web links updated via the Dictionary of Literary Terms companion website.

Prose Fiction: An Introduction to the Semiotics of Narrative

Author: Ignasi Ribó

Publisher: Open Book Publishers

Published: 2019-12-13

Total Pages: 122

ISBN-13: 1783748125

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This concise and highly accessible textbook outlines the principles and techniques of storytelling. It is intended as a high-school and college-level introduction to the central concepts of narrative theory – concepts that will aid students in developing their competence not only in analysing and interpreting short stories and novels, but also in writing them. This textbook prioritises clarity over intricacy of theory, equipping its readers with the necessary tools to embark on further study of literature, literary theory and creative writing. Building on a ‘semiotic model of narrative,’ it is structured around the key elements of narratological theory, with chapters on plot, setting, characterisation, and narration, as well as on language and theme – elements which are underrepresented in existing textbooks on narrative theory. The chapter on language constitutes essential reading for those students unfamiliar with rhetoric, while the chapter on theme draws together significant perspectives from contemporary critical theory (including feminism and postcolonialism). This textbook is engaging and easily navigable, with key concepts highlighted and clearly explained, both in the text and in a full glossary located at the end of the book. Throughout the textbook the reader is aided by diagrams, images, quotes from prominent theorists, and instructive examples from classical and popular short stories and novels (such as Jane Austen’s Pride and Prejudice, Franz Kafka’s ‘The Metamorphosis,’ J. K. Rowling’s Harry Potter, or Dostoyevsky’s The Brothers Karamazov, amongst many others). Prose Fiction: An Introduction to the Semiotics of Narrative can either be incorporated as the main textbook into a wider syllabus on narrative theory and creative writing, or it can be used as a supplementary reference book for readers interested in narrative fiction. The textbook is a must-read for beginning students of narratology, especially those with no or limited prior experience in this area. It is of especial relevance to English and Humanities major students in Asia, for whom it was conceived and written.

An Introduction to Rhetorical Terms

Author: Christopher Kelen

Publisher: Humanities-Ebooks

Published: 2007-01-01

Total Pages: 71

ISBN-13:

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An Introduction to Rhetorical Terms gives students a handy reference to the background knowledge of rhetorical terms demanded of them by critical and theoretical texts in the humanities. An important part of the vocabulary of cultural criticism and theory today is in the rhetorical terms we read and write, reason and refute by. These are the means by which we tell and receive the stories that explain the world. This book is divided into three sections, the first dealing with classical and traditional figures (such as simile, metaphor and metonomy), the second dealing with non-figures and near-tropes (like signs and symbols), the final section of the book devoted to new figures, and to rhetoric and tropology today. This last section familiarizes the reader with many new rhetorical terms employed in post-structural criticism and theory (terms like bricolage, differend and différance). Through the study of rhetoric – old and new – one learns how meaning is made. It is through that kind of understanding one gets to decide what to mean.