The Understanding of Ornament in the Italian Renaissance

The Understanding of Ornament in the Italian Renaissance PDF

Author: Clare Lapraik Guest

Publisher: BRILL

Published: 2015-11-16

Total Pages: 708

ISBN-13: 9004302085

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In this paradigm changing study of art and thought from antiquity to the Italian Renaissance Clare Lapraik Guest re-evaluates the central role and theoretical dignity of ornament in pre-modern art and literature.

Theocritus and his native Muse

Theocritus and his native Muse PDF

Author: Poulheria Kyriakou

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2018-10-08

Total Pages: 375

ISBN-13: 3110614790

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Hellenistic poets opted and were very likely expected to deal meaningfully, and perhaps competitively, with the tradition they inherited. They also needed to secure the goodwill of actual or potential patrons. Apollonius, the author of a novel heroic epic, eschews references to literary polemics and patronage. Callimachus often adopts a polemical stance against some colleagues in order to suggest his poetic excellence. Theocritus chooses a third way, which has not been investigated adequately. He avoids antagonism but ironizes the theme of poetic excellence and distances himself from the tradition of competitive success. He does not cast his narrators as superior to predecessors and contemporaries but stresses the advantages and merits of colleagues. This rejection of conceit is connected with a major strand in Theocritean poetry: the power of word, including song, to provide assistance to characters in distress is a major open issue. Language is versatile and potent but not all-powerful. Song gives pleasure but is not a panacea while instruction and advice are never helpful and may even prove harmful. Most genuine pieces are ambiguous and open-ended so that the aspirations of characters are not presented as doomed to failure.

The Mind of the Book

The Mind of the Book PDF

Author: Alastair Fowler

Publisher: Oxford University Press

Published: 2017

Total Pages: 233

ISBN-13: 0198717660

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Alastair Fowler presents a fascinating study of title pages printed in England from the early modern era to the nineteenth century, exploring their place in the History of the Book for the first time. He illuminates key features of title-page design and presents 16 illustrations of significant title-pages with commentaries, from Chaucer to Dickens.