A Filth of Starlings

A Filth of Starlings PDF

Author: PatrickGeorge

Publisher: Patrick George

Published: 2009

Total Pages: 48

ISBN-13: 9780956255815

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Presents visual depictions of bird and aquatic animal group names including a huddle of penguins, a school of whales, and a pod of dolphins.

Bird Magic

Bird Magic PDF

Author: Sandra Kynes

Publisher: Llewellyn Worldwide

Published: 2016-08-08

Total Pages: 312

ISBN-13: 0738749311

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Connect to the Great Goddess through the Magic of Birds Birds have been symbolic of the Great Goddess for millennia, representing her power and connection to the mysteries of life, death, and spirit. Bird Magic teaches you how to commune with the Goddess, incorporating her into your magical life through exercises, crafts, meditations, and more. Working with bird magic helps awaken your intuition, tap into subtle energies around you, and strengthen your bond with the natural world. Providing an encyclopedic listing of more than sixty bird species—highlighting each one's history, folklore, location, appearance, and magical wisdom—Bird Magic shows how they can enhance your spiritual and personal life. With in-depth information, helpful illustrations, and hands-on guidance, this book will be your go-to reference for years to come.

Voicetracks

Voicetracks PDF

Author: Norie Neumark

Publisher: MIT Press

Published: 2017-05-12

Total Pages: 232

ISBN-13: 0262339846

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The affects, aesthetics, and ethics of voice in the new materialist turn, explored through encounters with creative works in media and the arts. Moved by the Aboriginal understandings of songlines or dreaming tracks, Norie Neumark's Voicetracks seeks to deepen an understanding of voice through listening to a variety of voicing/sound/voice projects from Australia, Europe and the United States. Not content with the often dry tone of academic writing, the author engages a “wayfaring” process that brings together theories of sound, animal, and posthumanist studies in order to change the ways we think about and act with the assemblages of living creatures, things, places, and histories around us. Neumark evokes both the literal—the actual voices within the works she examines—and the metaphorical—in a new materialist exploration of voice encompassing human, animal, thing, and assemblages. She engages with artists working with animal sounds and voices; voices of place, placed voices in installation works; voices of technology; and “unvoicing,” disturbances in the image/voice relationship and in the idea of what voice is. She writes about remixes, the Barbie Liberation Organisation, and breath in Beijing, about cat videos, speaking fences in Australia, and an artist who reads (to) the birds. Finally, she considers ethics and politics, and describes how her own work has shaped her understandings and apprehensions of voice.