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A Feminist Companion to Shakespeare

Author: Dympna Callaghan

Publisher: John Wiley & Sons

Published: 2016-05-23

Total Pages: 581

ISBN-13: 1118501268

The question is not whether Shakespeare studies needs feminism, but whether feminism needs Shakespeare. This is the explicitly political approach taken in the dynamic and newly updated edition of A Feminist Companion to Shakespeare. Provides the definitive feminist statement on Shakespeare for the 21st century Updates address some of the newest theatrical andcreative engagements with Shakespeare, offering fresh insights into Shakespeare’s plays and poems, and gender dynamics in early modern England Contributors come from across the feminist generations and from various stages in their careers to address what is new in the field in terms of historical and textual discovery Explores issues vital to feminist inquiry, including race, sexuality, the body, queer politics, social economies, religion, and capitalism In addition to highlighting changes, it draws attention to the strong continuities of scholarship in this field over the course of the history of feminist criticism of Shakespeare The previous edition was a recipient of a Choice Outstanding Academic Title award; this second edition maintains its coverage and range, and bringsthe scholarship right up to the present day

Feminist Companion to Shakespeare

Author: Dympna Callaghan

Publisher: Wiley-Blackwell

Published: 2000-08-16

Total Pages: 416

ISBN-13: 9780631208068

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The question is not whether Shakespeare studies needs feminism, but whether feminism needs Shakespeare. This is the explicitly political approach taken by all-women team of contributors to A Feminist Companion to Shakespeare.

The Woman's Part

Author: Carolyn Ruth Swift Lenz

Publisher: University of Illinois Press

Published: 1980

Total Pages: 364

ISBN-13: 9780252010163

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Shakespeare's Feminine Endings

Author: Philippa Berry

Publisher: Routledge

Published: 2012-11-12

Total Pages: 212

ISBN-13: 1134914938

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Philippa Berry draws on feminist theory, postmodern thought and queer theory, to challenge existing critical notions of what is fundamental to Shakespearean tragedy. She shows how, through a network of images clustered around feminine or feminized characters, these plays 'disfigure' conventional ideas of death as a bodily end, as their figures of women are interwoven with provocative meditations upon matter, time, the soul, and the body. The scope of these tragic speculations was radical in Shakespeare's day; yet they also have a surprising relevance to contemporary debates about time and matter in science and philosophy.

The Cambridge Companion to Feminist Literary Theory

Author: Ellen Rooney

Publisher: Cambridge University Press

Published: 2006-07-06

Total Pages: 44

ISBN-13: 1139826638

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Feminism has dramatically influenced the way literary texts are read, taught and evaluated. Feminist literary theory has deliberately transgressed traditional boundaries between literature, philosophy and the social sciences in order to understand how gender has been constructed and represented through language. This lively and thought-provoking Companion presents a range of approaches to the field. Some of the essays demonstrate feminist critical principles at work in analysing texts, while others take a step back to trace the development of a particular feminist literary method. The essays draw on a range of primary material from the medieval period to postmodernism and from several countries, disciplines and genres. Each essay suggests further reading to explore this field further. This is the most accessible guide available both for students of literature new to this developing field, and for students of gender studies and readers interested in the interactions of feminism, literary criticism and literature.

Shakespeare Without Women

Author: Dympna Callaghan

Publisher: Routledge

Published: 2002-09-11

Total Pages: 234

ISBN-13: 1134633114

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First published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.

The Bedside, Bathtub & Armchair Companion to Shakespeare

Author: Dick Riley

Publisher: Continuum

Published: 2001-06-01

Total Pages: 0

ISBN-13: 9780826412508

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In the same winning formula as The New Bedside, Bathtub & Armchair Companion to Agatha Christie (more than 300,000 copies sold) and The Bedside, Bathtub & Armchair Companion to Sherlock Holmes (1999), this all-new companion to Shakespeare will present The Bard in a new and exciting way in a new century. For students, scholars, theater lovers, and scholars - nearly everyone! - this book wraps some 400 years of Bardology into a lively and often unexpected package.In their witty and inimitable way, Dick Riley and Pam McAllister examine the whole dramatic canon, play by play, including dramas of disputed authorship. (The long poems and sonnets are also covered.) Included are inside stories on theater and film productions, "alternate" interpretations of the plays, Shakespeare's status around the world, the clubs and societies, the mysterious life - and even the question that has plagued critics almost from the day he put down his quill: whether Shakespeare even wrote the works attributed to him.

Desdemona

Author: Toni Morrison

Publisher: Bloomsbury Publishing

Published: 2024-06-13

Total Pages: 69

ISBN-13: 135042899X

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'This is a remarkable, challenging and bravely original work.' The Guardian Ripped from the world by her husband's paranoia, Desdemona turns in death towards the memory of Barbary, the North African maid who raised her: together, they explore the contours of death, race, war, love and motherhood, in a moving elegy. Audacious with ambition, Desdemona is Toni Morrison's intimate reimagining of the fourth act of Shakespeare's Othello, mixing monologue with Rokia Traore's lyrical songs to re-examine the Bard's presentation of race and female suffering. Part-play, part-concert, part-quest into the afterlife, Desdemona is published in Methuen Drama's Modern Classics series, featuring a new introduction by Joyce Green MacDonald.

Aemilia Lanyer as Shakespeare’s Co-Author

Author: Mark Bradbeer

Publisher: Routledge

Published: 2022-03-31

Total Pages: 225

ISBN-13: 1000567214

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This book presents original material which indicates that Aemilia Lanyer – female writer, feminist, and Shakespeare contemporary – is Shakespeare’s hidden and arguably most significant co-author. Once dismissed as the mere paramour of Shakespeare’s patron, Lord Hunsdon, she is demonstrated to be a most articulate forerunner of #MeToo fury. Building on previous research into the authorship of Shakespeare’s works, Bradbeer offers evidence in the form of three case studies which signal Aemilia’s collaboration with Shakespeare. The first case study matches the works of "George Wilkins" – who is currently credited as the co-author of the feminist Shakespeare play Pericles (1608) – with Aemilia Lanyer’s writing style, education, feminism and knowledge of Lord Hunsdon’s secret sexual life. The second case-study recognizes Titus Andronicus (1594), a play containing the characters Aemilius and Bassianus, to be a revision of the suppressed play Titus and Vespasian (1592), as authored by the unmarried pregnant Aemilia Bassano, as she then was. Lastly, it is argued that Shakespeare’s clowns, Bottom, Launce, Malvolio, Dromio, Dogberry, Jaques, and Moth, arise in her deeply personal war with the misogynist Thomas Nashe. Each case study reveals new aspects of Lanyer’s feminist activism and involvement in Shakespeare’s work, and allows for a deeper analysis and appreciation of the plays. This research will prove provocative to students and scholars of Shakespeare studies, English literature, literary history, and gender studies.