A Documentary History of Art, Volume 2

A Documentary History of Art, Volume 2 PDF

Author: Elizabeth Gilmore Holt

Publisher: Princeton University Press

Published: 2022-03-08

Total Pages: 434

ISBN-13: 0691242917

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The theory and practice of art underwent a number of fascinating changes between the sixteenth and the eighteenth centuries, changes which are clearly revealed in this unique collection of letters, journals, essays, and other writings by the artists and their contemporaries. In the poems of Michelangelo, the Dialogues of Carducho, or the Discourses of Sir Joshua Reynolds, one discovers the stylistic and philosophical concerns of the artist, while the record of Veronese's trial before the Holy Tribunal, the diary of Bernini's journey in France, the letters of Rubens and Poussin or biographical sketches of Rembrandt and Watteau reveal not only the personalities but also the conditions of the times. These basic and illuminating documents, now again available in paperback, provide an unparalleled opportunity for insight into the art and ideas of the periods the author discusses.

American Art to 1900

American Art to 1900 PDF

Author: Sarah Burns

Publisher: Univ of California Press

Published: 2009-03-31

Total Pages: 1100

ISBN-13: 0520257561

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American Art to 1900 presents an astonishing variety of unknown, little-known, or undervalued documents to convey the story of American art through the many voices of its contemporary practitioners, consumers, and commentators. The volume highlights such critically important themes as women artists, African American representation and expression, regional and itinerant artists, Native Americans and the frontier, and more. With its hundreds of explanatory headnotes, this book reveals the documentary riches of American art and its many intersecting histories. -back cover.

Africa and the West: A Documentary History

Africa and the West: A Documentary History PDF

Author: William H. Worger

Publisher: Oxford University Press

Published: 2010-02-02

Total Pages: 322

ISBN-13: 0199706549

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Africa and the West presents a fascinating array of primary sources to engage readers in the history of Africa's long and troubled relationship with the West. Many of the sources have not previously appeared in print, or in books readily available to students. Volume 1 covers two major topics: the Atlantic slave trade and the European conquest. It details the beginnings of the slave trade, slavery as a business, the experiences of slaves, and the effect of abolitionism on the trade, using such documents as a letter from a sixteenth-century African king to the king of Portugal calling for a more regulated slave trade, and the nineteenth-century testimony of a South African slave accused of treason. The volume also covers the early nineteenth-century considerations of the costs and benefits of colonization, the development of conquest as the century progressed, with special attention to technology, legislation, empire, religion, racism, and violence, through such unusual documents as Cecil Rhodes's will and a chart of the costs of African animals exported to Western zoos.

A Documentary History of Art, Volume 1

A Documentary History of Art, Volume 1 PDF

Author: Elizabeth Gilmore Holt

Publisher: Princeton University Press

Published: 2024-05-21

Total Pages: 509

ISBN-13: 0691268282

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An illuminating one-volume compendium of primary documents on the art of medieval and Renaissance Europe This unique collection brings together notebooks, letters, treatises, and contracts dealing with the art of the Middle Ages and Renaissance, providing extraordinary insights into the personalities and conditions of the times and revealing the stylistic and philosophical concerns that evolved during these intensively creative eras. These documents, many of them available here in English for the first time, range from Raoul Glaber’s famous 1003 treatise on the synthesis of old and new art forms to Durand’s essay on Christian symbolism in art and the writings of Leonardo and Dürer on anatomy, perspective, and the recreation of reality. They trace how a medieval conception of life that was inspired, oriented, and dominated by the church evolved gradually into the great reawakening of the Renaissance in which humankind itself assumed primary importance in Western art.