A Critical and Historical Corpus of Florentine Painting: v. 1. Andrea de Cione. v. 2. Nardo di Cione. v. 3. Jacopo di cione. v. 4. Giovanni del Biondo (part 1). v. 5. Giovanni del Biondo (part 2). v. 6. Andrea Bonaiuti. v. 7. Tendencies of Gothic in Florence (part 1)., Don Silvestro dei Gherarducci (part 2). v. 8. Tradition and innovation in Florentine Trecento painting. v. 9. Painters in Florence after the 'Black Death'. The Master of the Misericordia and Matteo di Pacino

A Critical and Historical Corpus of Florentine Painting: v. 1. Andrea de Cione. v. 2. Nardo di Cione. v. 3. Jacopo di cione. v. 4. Giovanni del Biondo (part 1). v. 5. Giovanni del Biondo (part 2). v. 6. Andrea Bonaiuti. v. 7. Tendencies of Gothic in Florence (part 1)., Don Silvestro dei Gherarducci (part 2). v. 8. Tradition and innovation in Florentine Trecento painting. v. 9. Painters in Florence after the 'Black Death'. The Master of the Misericordia and Matteo di Pacino PDF

Author: Richard Offner

Publisher:

Published:

Total Pages:

ISBN-13:

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Painters in Florence After the "Black Death"

Painters in Florence After the

Author: Sonia Chiodo

Publisher:

Published: 2011

Total Pages: 559

ISBN-13: 9788809767348

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A Critical and Historical Corpus of Florentine Painting by Richard Offner with Klara Steinweg continued under the direction of Miklos Boskovits and Mina Gregori, Section IV, Volume IX.

A Critical and Historical Corpus of Florentine Painting

A Critical and Historical Corpus of Florentine Painting PDF

Author: Richard Offner

Publisher: Giunti Editore

Published: 2001

Total Pages: 646

ISBN-13:

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This new volume proposes, in similar format but with recent photographs, illustrating the painting in their present state, the new edition of the book dedicated by Richard Offner in 1947 to the workshop of Bernardo Daddi, artist very much in demand in the first half of the 14th century. To some 70 pictures catalogued by Offner with entries which are now updated with new data on state and history as well as with bibliography, ten further, hitherto unpublished or little known items are given in this edition. The survey offered here makes the circle of Daddi, where several of chief figures of the Florentine painting in the second half of the Trecento were formed, one of the better known areas of the history of Italian painting of the Middle Age and early Renaissance.

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