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A critical and historical corpus of Florentine painting: The fourteenth century. v. 1. The St. Cecilia Master and his circle
Author: Richard Offner
Publisher:
Published: 1984
Total Pages:
ISBN-13: 9788809200203
DOWNLOAD EBOOK →A critical and historical corpus of Florentine painting. Section 3 : The fourteenth century
A critical and historical corpus of Florentine painting: The fourteenth century. v.1. The school of the St. Cecilia Master. v. 3. The works of Bernardo Daddi. v. 4. Bernardo Daddi, his shop and following. v. 5. The fourteenth century Bernardo Daddi and his circle. v. 9. The painters of the miniaturist tendency
A critical and historical corpus of Florentine painting. Section 4 : The fourteenth century. Nardo di Cione
A Critical and Historical Corpus of Florentine Painting
A Critical and Historical Corpus of Florentine Painting: The fourteenth century. v. 1. The school of the St. Cecelia Master (2nd ed.). v. 2. Elder contemporaries of Bernardo Daddi (2nd ed.). v. 3. The works of Bernardo Daddi (2nd ed.). v. 4, Bernardo Daddi, his shop and following. (2nd ed.). v. 5. Bernardo Daddi and his circle. (new ed.)
A Critical and Historical Corpus of Florentine Painting
A Critical and Historical Corpus of Florentine Painting
A Critical and Historical Corpus of Florentine Painting
Author: Richard Offner
Publisher: Giunti Editore
Published: 2001
Total Pages: 646
ISBN-13:
DOWNLOAD EBOOK →This new volume proposes, in similar format but with recent photographs, illustrating the painting in their present state, the new edition of the book dedicated by Richard Offner in 1947 to the workshop of Bernardo Daddi, artist very much in demand in the first half of the 14th century. To some 70 pictures catalogued by Offner with entries which are now updated with new data on state and history as well as with bibliography, ten further, hitherto unpublished or little known items are given in this edition. The survey offered here makes the circle of Daddi, where several of chief figures of the Florentine painting in the second half of the Trecento were formed, one of the better known areas of the history of Italian painting of the Middle Age and early Renaissance.
