Author: Paul Hindemith
Publisher:
Published: 2018-11-10
Total Pages: 80
ISBN-13: 9780353213173
DOWNLOAD EBOOK →Author: Paul Hindemith
Publisher: European Amer Music Dist Corporation
Published: 1964
Total Pages: 71
ISBN-13: 9780901938435
DOWNLOAD EBOOK →Schott
Author: Paul Hindemith
Publisher: Schott Music
Published: 2020-10-29
Total Pages: 136
ISBN-13: 3795786746
DOWNLOAD EBOOK →Originally published in the 1940s, Paul Hindemith's remarkable textbooks are still the outstanding works of their kind. In contrast to many musical textbooks written by academic musicians, these were produced by a man who could play every instrument of the orchestra, could compose a satisfying piece for almost every kind of ensemble, and who was one of the most stimulating teachers of his day. It is therefore not surprising that nearly forty years later these books should remain essential reading for the student and the professional musician.
Author: Stephen Luttmann
Publisher: Routledge
Published: 2013-01-11
Total Pages: 578
ISBN-13: 1135848416
DOWNLOAD EBOOK →Paul Hindemith: A Research and Information Guide is an annotated bibliography concerning both the nature of primary sources related to the composer and the scope and significance of the secondary sources which deal with him, his compositions, and his influence as a musician and teacher. The second edition includes research published since the publication of the first edition and provides electronic resources.
Author: Arnold Schoenberg
Publisher: W. W. Norton & Company
Published: 1969
Total Pages: 226
ISBN-13: 9780393004786
DOWNLOAD EBOOK →This book is Schoenberg's last completed theoretical work and represents his final thoughts on the subject of classical and romantic harmony. The earlier chapters recapitulate in condensed form the principles laid down in his 'Theory of Harmony'; the later chapters break entirely new ground, for they analyze the system of key relationships within the structure of whole movements and affirm the principle of 'monotonality, ' showing how all modulations within a movement are merely deviations from, and not negations of, its main tonality.