A Source Book in Theatrical History

A Source Book in Theatrical History PDF

Author: A. M. Nagler

Publisher: Courier Corporation

Published: 2013-04-09

Total Pages: 640

ISBN-13: 0486315541

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An annotated collection of more than 300 unusually interesting and detailed passages includes views by observers from ancient Greece to modern times on acting, directing, make-up, costuming, props, much more.

The Cambridge History of American Theatre

The Cambridge History of American Theatre PDF

Author: Don B. Wilmeth

Publisher: Cambridge University Press

Published: 1998-02-28

Total Pages: 554

ISBN-13: 9780521472043

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The Cambridge History of American Theatre is an authoritative and wide-ranging history of American theatre in all its dimensions, from theatre building to play writing, directors, performers, and designers. Engaging the theatre as a performance art, a cultural institution, and a fact of American social and political life, the History recognizes changing styles of presentation and performance and addresses the economic context that conditions the drama presented. The History approaches its subject with a full awareness of relevant developments in literary criticism, cultural analysis, and performance theory. At the same time, it is designed to be an accessible, challenging narrative. Volume One deals with the colonial inceptions of American theatre through the post-Civil War period: the European antecedents, the New World influences of the French and Spanish colonists, and the development of uniquely American traditions in tandem with the emergence of national identity.

The Palgrave Handbook of the History of Women on Stage

The Palgrave Handbook of the History of Women on Stage PDF

Author: Jan Sewell

Publisher: Springer Nature

Published: 2020-04-29

Total Pages: 850

ISBN-13: 3030238288

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This book brings together nearly 40 academics and theatre practitioners to chronicle and celebrate the courage, determination and achievements of women on stage across the ages and around the globe. The collection stretches from ancient Greece to present-day Australasia via the United States, Soviet Russia, Europe, India, South Africa and Japan, offering a series of analytical snapshots of women performers, their work and the conditions in which they produced it. Individual chapters provide in-depth consideration of specific moments in time and geography while the volume as a whole and its juxtapositions stimulate consideration of the bigger picture, underlining the challenges women have faced across cultures in establishing themselves as performers and the range of ways in which they gained access to the stage. Organised chronologically, the volume looks not just to the past but the future: it challenges the very notions of ‘history’, ‘stage’ and even the definition of ‘women’ itself.