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A Companion to Michael Haneke

Author: Roy Grundmann

Publisher: John Wiley & Sons

Published: 2014-04-14

Total Pages: 6

ISBN-13: 1118723481

A Companion to Michael Haneke is a definitive collection of newly-commissioned work that covers Haneke's body of work in its entirety, catering to students and scholars of Haneke at a time when interest in the director and his work is soaring. Introduces one of the most important directors to have emerged on the global cinema scene in the past fifteen years Includes exclusive interviews with Michael Haneke, including an interview discussion of The White Ribbon Considers themes, topics, and subjects that have formed the nucleus of the director's life's work: the fate of European cinema, Haneke in Hollywood, pornography, alienation, citizenship, colonialism, and the gaze of surveillance Features critical examinations of La Pianiste, Time of the Wolf, Three Paths to the Lake and Caché, amongst others

A Companion to Michael Haneke

Author: Roy Grundmann

Publisher: John Wiley & Sons

Published: 2010-02-04

Total Pages: 658

ISBN-13: 1444320610

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A Companion to Michael Haneke With a new preface addressing the Academy award-winning film, Amour, this new-in-paper edition has established itself as the definitive collection on Michael Haneke—from his early work in television and theater, through his prodigious cinematic output, to his 2009 triumph at Cannes. A Companion to Michael Haneke brings together essays by leading film scholars, as well as interviews with the director himself, to probe the provocative and controversial themes that have formed the nucleus of Haneke’s work—intergenerational dysfunction and social alienation, colonialism and citizenship, surveillance and pornography, mass culture and media violence. The volume also offers a critical examination of the auteur’s oeuvre, including Three Paths to the Lake, Lemmings, Benny’s Video, The Piano Teacher, Caché, Funny Games, and the 2009 Palme d’Or winner, The White Ribbon.

A Companion to Michael Haneke

Author: Roy Grundmann

Publisher: John Wiley & Sons

Published: 2014-04-14

Total Pages: 6

ISBN-13: 1118723481

DOWNLOAD EBOOK →

A Companion to Michael Haneke

Author: Roy Grundmann

Publisher:

Published: 2010

Total Pages:

ISBN-13: 9781782686163

DOWNLOAD EBOOK →

A definitive collection of newly-commissioned work that covers Haneke's body of work in its entirety, catering to students and scholars of Haneke at a time when interest in the director and his work is soaring. Introduces one of the most important directors to have emerged on the global cinema scene in the past fifteen years. Includes exclusive interviews with Michael Haneke, including an interview discussion of his most recent film, The White Ribbon. Considers themes, topics, and subjects that have formed the nucleus of the director's life's work: the fate of European cinema, Haneke in Hollywood, pornography, alienation, citizenship, colonialism, and the gaze of surveillanceFeatures critical examinations of La Pianiste, Time of the Wolf, Three Paths to the Lake, and Caché, amongst others.

Michael Haneke

Author: Peter Brunette

Publisher: University of Illinois Press

Published: 2010-10-01

Total Pages: 186

ISBN-13: 0252090667

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In this book, Peter Brunette analyzes the theatrical releases of Austrian film director Michael Haneke, including The White Ribbon, winner of the 2009 Palme d'Or at the Cannes Film Festival. Perhaps best known to U.S. audiences for Caché, The Piano Teacher, and his remake of his own disturbing Funny Games, Haneke has consistently challenged critics and film viewers to consider their own responsibility for what they watch when they seek to be "merely" entertained by such studio-produced Hollywood thrillers. Brunette highlights Haneke's brilliant use of uncompromising visual and aural techniques to express complex themes. His most recent films contain what has become his hallmark: a moment of violence or shock that is not intended to be exploitative, but that nevertheless goes beyond the conventional boundaries of most art cinema. Lauded for graphically revealing the powerful influence of contemporary media on social behavior, his films offer a chilling critique of contemporary consumer society. Brunette discusses Haneke's major releases in English, French, and German, including the film that first brought him to international attention, Benny's Video. The first full-length study of Haneke's work in any language, this book also includes an interview with the director that explores his motivations and methods.

Michael Haneke

Author: Roy Grundmann

Publisher: Univ. Press of Mississippi

Published: 2020-06-04

Total Pages: 205

ISBN-13: 1496828410

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Spanning five decades and twenty-four films, director Michael Haneke’s career is one of the most significant in the history of European art cinema. However, critical reception has long lagged behind his output. By the time Haneke (b. 1942) emerged into the international spotlight as a cinematic visionary with the 1989 Cannes premiere of The Seventh Continent, he had worked in filmmaking for two decades, producing seven feature-length films. As many of his films aired solely on Austrian and German television, they remained unknown to audiences outside the German-speaking world until 2007, when the first comprehensive Haneke retrospective took place in the United States. Michael Haneke: Interviews presents some of Haneke’s most profound interviews to English speakers. The volume features seventeen articles, fourteen of which have been translated into English for the first time, and all of which provide a detailed, eloquent commentary on his films and worldview. This book represents the most extensive collection to date of interviews with the filmmaker, spanning his entire oeuvre—from his earliest television films to his so-called “Glaciation Trilogy” of the 1990s, from the notorious dark satire Funny Games to its similarly notorious 2007 Hollywood remake, and from his French films of the 2000s to his Oscar-winning drama, Amour, and his most recent feature, Happy End.

A Companion to Early Cinema

Author: André Gaudreault

Publisher: John Wiley & Sons

Published: 2012-07-02

Total Pages: 660

ISBN-13: 1444332317

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An authoritative and much-needed overview of the main issues in the field of early cinema from over 30 leading international scholars in the field First collection of its kind to offer in one reference: original theory, new research, and reviews of existing studies in the field Features over 30 original essays from some of the leading scholars in early cinema and Film Studies, including Tom Gunning, Jane Gaines, Richard Abel, Thomas Elsaesser, and André Gaudreault Caters to renewed interest in film studies’ historical methods, with strict analysis of multiple and competing sources, providing a critical re-contextualization of films, printed material and technologies Covers a range of topics in early cinema, such as exhibition, promotion, industry, pre-cinema, and film criticism Broaches the latest research on the subject of archival practices, important particularly in the current digital context

A Companion to the Biopic

Author: Deborah Cartmell

Publisher: John Wiley & Sons

Published: 2020-01-15

Total Pages: 466

ISBN-13: 1119554810

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The most comprehensive reference text of theoretical and historical discourse on the biopic film The biopic, often viewed as the most reviled of all film genres, traces its origins to the early silent era over a century ago. Receiving little critical attention, biopics are regularly dismissed as superficial, formulaic, and disrespectful of history. Film critics, literary scholars and historians tend to believe that biopics should be artistic, yet accurate, true-to-life representations of their subjects. Moviegoing audiences, however, do not seem to hold similar views; biopics continue to be popular, commercially viable films. Even the genre’s most ardent detractors will admit that these films are often very watchable, particularly due to the performance of the lead actor. It is increasingly common for stars of biographical films to garner critical praise and awards, driving a growing interest in scholarship in the genre. A Companion to the Biopic is the first global and authoritative reference on the subject. Offering theoretical, historical, thematic, and performance-based approaches, this unique volume brings together the work of top scholars to discuss the coverage of the lives of authors, politicians, royalty, criminals, and pop stars through the biopic film. Chapters explore evolving attitudes and divergent perspectives on the genre with topics such as the connections between biopics and literary melodramas, the influence financial concerns have on aesthetic, social, or moral principles, the merger of historical narratives with Hollywood biographies, stereotypes and criticisms of the biopic genre, and more. This volume: Provides a systematic, in-depth analysis of the biopic and considers how the choice of historical subject reflects contemporary issues Places emphasis on films that portray race and gender issues Explores the uneven boundaries of the genre by addressing what is and is not a biopic as well as the ways in which films simultaneously embrace and defy historical authenticity Examines the distinction between reality and ‘the real’ in biographical films Offers a chronological survey of biopics from the beginning of the 20th century A Companion to the Biopic is a valuable resource for researchers, scholars, and students of history, film studies, and English literature, as well as those in disciplines that examine interpretations of historical figures

Michael Haneke's Cinema

Author: Catherine Wheatley

Publisher: Berghahn Books

Published: 2009-01-30

Total Pages: 234

ISBN-13: 9780857455468

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Existing critical traditions fail to fully account for the impact of Austrian director, and 2009 Cannes Palm d'Or winner, Michael Haneke's films, situated as they are between intellectual projects and popular entertainments. In this first English-language introduction to, and critical analysis of, his work, each of Haneke's eight feature films are considered in detail. Particular attention is given to what the author terms Michael Haneke's 'ethical cinema' and the unique impact of these films upon their audiences. Drawing on the moral philosophy of Immanuel Kant and Stanley Cavell, Catherine Wheatley, introduces a new way of marrying film and moral philosophy, which explicitly examines the ethics of the film viewing experience. Haneke's films offer the viewer great freedom whilst simultaneously imposing a considerable burden of responsibility. How Haneke achieves this break with more conventional spectatorship models, and what its far-reaching implications are for film theory in general, constitute the principal subject of this book.

A Companion to Documentary Film History

Author: Joshua Malitsky

Publisher: John Wiley & Sons

Published: 2021-04-28

Total Pages: 544

ISBN-13: 1119116309

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This volume offers a new and expanded history of the documentary form across a range of times and contexts, featuring original essays by leading historians in the field In a contemporary media culture suffused with competing truth claims, documentary media have become one of the most significant means through which we think in depth about the past. The most rigorous collection of essays on nonfiction film and media history and historiography currently available, A Companion to Documentary Film History offers an in-depth, global examination of central historical issues and approaches in documentary, and of documentary's engagement with historical and contemporary topics, debates, and themes. The Companion's twenty original essays by prominent nonfiction film and media historians challenge prevalent conceptions of what documentary is and was, and explore its growth, development, and function over time. The authors provide fresh insights on the mode's reception, geographies, authorship, multimedia contexts, and movements, and address documentary's many aesthetic, industrial, historiographical, and social dimensions. This authoritative volume: Offers both historical specificity and conceptual flexibility in approaching nonfiction and documentary media Explores documentary's multiple, complex geographic and geopolitical frameworks Covers a diversity of national and historical contexts, including Revolution-era Soviet Union, post-World War Two Canada and Europe, and contemporary China Establishes new connections and interpretive contexts for key individual films and film movements, using new primary sources Interrogates established assumptions about documentary authorship, audiences, and documentary's historical connection to other media practices. A Companion to Documentary Film History is an ideal text for undergraduate and graduate courses covering documentary or nonfiction film and media, an excellent supplement for courses on national or regional media histories, and an important new resource for all film and media studies scholars, particularly those in nonfiction media.