Reading Greek

Reading Greek PDF

Author: Joint Association of Classical Teachers. Greek Course

Publisher: Cambridge University Press

Published: 2007-07-30

Total Pages: 29

ISBN-13: 0521698510

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Second edition of best-selling one-year introductory course in ancient Greek for students and adults. This volume contains a narrative adapted entirely from ancient authors in order to encourage students rapidly to develop their reading skills. The texts and numerous illustrations also provide a good introduction to Greek culture.

Greek Lyric Poetry

Greek Lyric Poetry PDF

Author: M. L. West

Publisher: Oxford University Press

Published: 2008-09-11

Total Pages: 241

ISBN-13: 019954039X

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The Greek lyric, elegiac and iambic poets of the two centuries from 650 to 450 BCE produced some of the finest poetry of antiquity. This new poetic translation captures the nuances of meaning and the whole spirit of this poetry.

Master of the Game

Master of the Game PDF

Author: Derek Collins

Publisher: Harvard University Press

Published: 2004

Total Pages: 288

ISBN-13:

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This study provides for the first time an in-depth examination of a central mode of Greek poetic competition--capping, which occurs when speakers or singers respond to one another in small numbers of verses, single verses, or between verse units themselves.

Poetry and Its Public in Ancient Greece

Poetry and Its Public in Ancient Greece PDF

Author: Bruno Gentili

Publisher:

Published: 1990-02

Total Pages: 412

ISBN-13:

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Brilliantly applying insights and methodologies from anthropology, literary theory, and the social sciences to the historical study of archaic lyric, Poetry and Its Public in Ancient Greece, winner of Italy's prestigious Viareggio Prize, develops a new Picture of the literary history of Greece. An essentially practical art, ancient Greek poetry was clocely linked to the realities of social and political life and to the actual behavior of individuals within a community. Its mythological content was didactic and pedagogical. But Greek poetry differs radically from modern forms in its mode of communication: it was designed not for reading but for performance, with musical accompaniment, before an audience. In analyzing the formal and social aspects of this performance context, Gentili illuminates such topics as oral composition and improvisation, oral transmission and memory, the connections betweek poetry and music, the changing socioeconomic situation of the artist, and the relations among poets, patrons, and the public.