Studio Anne Holtrop

Studio Anne Holtrop PDF

Author: Maaike Lauwaert

Publisher: Walther Konig Verlag

Published: 2016

Total Pages: 0

ISBN-13: 9783863358723

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Anne Holtrop (1977) graduated in 2005 from the Academie van Bouwkunst in Amsterdam with a cum laude degree in architecture and in 2009 started his own studio. Today his office is based in Muharraq (Bahrain) and Amsterdam (The Netherlands). His work ranges from models to temporary spaces and buildings. Until very recently, he had only built a few small pavilions and various installations between art and architecture. Outside of the conventional architectural circuit, and more related to art installations, these extremely poetic pavilions consisted of small-scale spatial concepts and personal research on materials. In 2015 he completed his first two major buildings, Museum Fort Vechten and the National Pavilion of the Kingdom of Bahrain. He was course director of the Studio for Immediate Spaces master at the Sandberg Instituut Amsterdam from 2012 to 2016, and was editor of the architectural journal Oase from 2005 to 2013. For his practice he has been awarded several grants from the Mondrian Fund, as well as receiving the Charlotte Kohler Prize for Architecture from the Prins Bernhard Cultuurfonds in 2007.

Bruther

Bruther PDF

Author: Javier Augstín Rojas

Publisher: Walther Konig

Published: 2018-01-04

Total Pages: 160

ISBN-13: 9783960981022

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The latest in the 2G Architecture series focuses on the Parisian based practice Bruther. Bruther is a French architectural studio based in Paris. Stéphanie Bru and Alexandre Theriot opened their office in 2007, at the very beginning of what capitalists call a 'crisis' and Marxists might define as new round of 'primitive accumulation and dispossession'. Having grown up and trained during the heyday of the French welfare state and inspired by the optimism of the early European Union, Bru and Theriot are well aware of the pressure that the political shift to the right, social inequality and insecurity about the future of Europe are exerting on public institutions. Bruther stands for a specific architecture, adapted to the needs of each project in order to offer maximal living conditions. Adaptability and evolutivity of the building are fundamentals in the office practice. Since 2007, Bruther have developed national and international projects such as Cultural and Sport Center Saint-Blaise (2014), Helsinki Central Library (2013) and New Generation Research Center (2015).

The Bones of Architecture

The Bones of Architecture PDF

Author: Ákos Moravánszky

Publisher:

Published: 2019-06

Total Pages: 224

ISBN-13: 9783038630449

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Besides the many components that characterise the appearance of a building, it is the physical prerequisites that are crucial. They tie the (structural) components together and let the building ?stand?: just like the bones of vertebrates and us humans, every building has a load-bearing structure.From that perspective, construction, and thus also the buildings themselves are subject to fundamental sets of rules; as long as they are observed, the connection of their materials and components ensures good load bearing properties. In that way, these sets of rules create forms, pat-terns, orders and restrictions.00This publication investigates the cultivation of structures for architecture as developed by practising architects and engineers. Presenting the works and approaches of seven European architects and engineers, the editor simultaneously reflects on the rules, strategies and methods of designing structures and load bearing structures.With selected works by: Rui Furtado, engineer, Porto; Johansen Skovsted Arkitekter, Copen-hagen; Pedrazzini Guidotti, engineers, Lugano; Bruther, architects, Paris; Brandlhuber+, Arno Brandlhuber, architect, Berlin; engineer Bernabeu, Madrid; 6a Architects, London.00Exhibition: Garagem Sul, CCB, Lisbon, Portugal (18.06. - 08.09.2019).

Displayed Spaces

Displayed Spaces PDF

Author: Roberto Gigliotti

Publisher:

Published: 2015

Total Pages: 0

ISBN-13: 9783944669694

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Why do we organise architecture exhibitions? Conventional shows - contexts displaying documentation, technical drawings, three-dimensional models, photographs and videos, frameworks where sketches and drawings are treated as if they were "paintings", models as if they were "sculptures" and photographs idealising what they depict within strangely uninhabited landscapes - are contrasted by practices of display that focus on a different kind of investigation and offer an uncharacteristic way of involving the public with the show by means of spatial solutions within the exhibition space. The attitude that characterises the traditional approach to architecture exhibitions inevitably generates a distinction between the visitors that can read and interpret the displayed objects and those who cannot. Hardly any empathy is generated between the exposed objects and the subjects viewing them; often these kinds of exhibitions only try to solve the problem of presenting objects that cannot be transferred into exhibitions spaces. In the last years we have assisted to the diffusion of exhibitions characterised by different approaches, i.e. shows in which architectural production is presented as an issue which is integrated in a broader critical context and assumes a central role from an unexpected point of view, or exhibitions that concentrate on an emotional involvement of visitors who are not confronted with a specific object and its characteristics, but with the transmission of an experience capable of establishing an intense relationship between the public and the content of the show. In order to explore these issues, this conference brings together critical contributions related to both the conception and the construction of contemporary architecture exhibitions.

Harquitectes

Harquitectes PDF

Author: Ilka Ruby

Publisher:

Published: 2016

Total Pages: 0

ISBN-13: 9783863359348

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The architecture studio HARQUITECTES was established in 2000 and based in Sabadell, Barcelona. It is managed by four partner architects: David Lorente Ibáñez, Josep Ricart Ulldemolins, Xavier Ros Majó and Roger Tudó Galí. They have lectured all over Europe and America, and their works have been recognized with several awards and selected for exhibitions at home and abroad. They have addressed the parlous Spanish economy by adapting their work to any type of commission, from public buildings - such as schools and university facilities - to single-family houses. This publication represents the first comprehensive monograph on their work.

The Images of Architects

The Images of Architects PDF

Author: Valerio Olgiati

Publisher: Quart Architektur

Published: 2013

Total Pages: 424

ISBN-13: 9783037610695

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The Visible Origin of Architecture: "I asked architects to send me important images that show the basis of their work. Images that are in their head when they think. Images that show the origin of their architecture. In this book we find 44 individual 'musees imaginaires'. The most unique architects living today each present up to 10 images to explain the autobiographical roots of their oeuvre. The images are explanations, metaphors, foundations, memories and intentions. They are poetic and philosophical avowals. They reveal a personal perspective on thoughts. They show the roots of architecture and expectations concerning projects. Conscious and unconscious. This book has the format of a reader. As little as possible is said. The images are small, legible and interpretable as icons. As individual collections, they present a personal view of an individual world, while as a whole they provide a universal view of the perceptible origin of contemporary architecture." Valerio Olgiati The images submitted to Olgiati are personal, confidential and poetic revelations of the deeper foundations on which the architects' projects are based. The collection acts as a kind of depth gauge of contemporary world architecture. The list comprises the 44 most unique architects living today: David Adjaye, Francisco Aires Mateus, Manuel Aires Mateus, Alejandro Aravena, Ben van Berkel, Mario Botta, Alberto Campo Baeza, Adam Caruso, Peter St John, David Chipperfield, Preston Scott Cohen, Hermann Czech, Roger Diener, Peter Eisenman, Sou Fujimoto, Anton Garcia-Abril, Go Hasegawa, Jacques Herzog, Pierre de Meuron, Steven Holl, Anne Holtrop, Junya Ishigami, Arata Isozaki, Toyo Ito, Bijoy Jain (Studio Mumbai), Momoyo Kaijima, Yoshiharu Tsukamoto (Atelier Bow-Wow), Christian Kerez, Hans Kollhoff, Winy Maas (MVRDV), Peter Markli, Jurgen Mayer H., Richard Meier, Glenn Murcutt, Ryue Nishizawa, Valerio Olgiati, John Pawson, Cecilia Puga, Smiljan Radic, Richard Rogers, Kazuyo Sejima, Jonathan Sergison, Stephen Bates, Miroslav ik, Alvaro Siza Vieira, Eduardo Souto de Moura, Robert Venturi, Denise Scott Brown, Peter Wilson (Bolles + Wilson), Peter Zumthor."

2G No. 78

2G No. 78 PDF

Author: JUNYA. ISHIGAMI

Publisher: Walther Kanig, Kaln

Published: 2019-06-06

Total Pages: 160

ISBN-13: 9783960980964

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The latest in the 2G Architecture series focuses on Junya Ishigami 'To have a vision that is as flexible, as open, as subtle as possible to go beyond conventional wisdom about architecture' Ishigami In his works, which he compares readily to landscapes, Ishigami removes the boundary between the outside and the inner space. Transparency, lightness, organic forms, vegetation make up his vocabulary. His vision of the future is optimistic, ecological, and the prospects of this young Utopian are not barred by any limit. The first time Junya Ishigami made himself known in Europe, with his proposal for the Japan Pavilion for the Venice Architecture Biennale 2008, he was a young and almost unknown architect who had worked for several years with Kazuo Sejima, and had only founded his studio junya.ishigami+associates in 2004. In the Venice pavilion, Ishigami filled all the interior walls of the pavilion with delicate and somehow naïf drawings of gardens and decided to build several greenhouses with real gardens in the outdoor gardens of the building. The following year, he finished the Kanagawa Institute of Technology Workshop, and with only two works he was acclaimed as one of the most innovative proponents of new Japanese architecture. Initially forcing the limits of transparency and lightness, his latest works explore in a conceptual way the relationships between the built matter and the nature, in works such as the Botanical Farm Garden in Tochigi, a multi confessional chapel in China, or the house and restaurant for a chef in Japan, where the exploration of the tectonic merges with the earthly and nature.

Printing Types

Printing Types PDF

Author: Daniel Berkeley Updike

Publisher: Belknap Press

Published: 1966

Total Pages: 0

ISBN-13: 9780674503892

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This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1922 Excerpt: ...century, typographical material in American printing-houses--at any rate before the Revolution--was almost all foreign. Franklin records in his Autobiography that his brother James secured both his press and type from England, and there are repeated allusions to the necessity of procuring such materials abroad for various Colonial printing-offices. When manager of Keimer's press in Philadelphia, Franklin writes: "Our printing-house often wanted sorts, and there was no letter-founder in America; I had seen types cast at James's in London, but without much attention to the manner; however, I now con 1 Thomas's History of Printing, Worcester, 1810, Vol. I, pp. 251 et seq. In the broadside Account of the Fire at Harvard College, dated January 25,1794, among the losses chronicled, this paragraph occurs: "A font of Greek types (which, as we had not yet a printing-office, was reposited in the library) presented by our great benefactor the late worthy Thomas Hollis, Esq; of London; whose picture, as large as the life, and institutions for two Professorships and ten Scholarships perished in the flames." tri ved a mould, made use of the letters we had as puncheons, struck the matrices in lead, and thus supply'd in a pretty tolerable way all deficiencies." The earliest types in such offices as that of Bradford, the first New York printer, were probably Dutch and English; later types were English, and chiefly those of Caslon--although after 1775 (roughly speaking), type was made in North America. Primers and books, newspapers and broadsides, were mostly printed in Caslon old style types in the mid-eighteenth century and up to the Revolution. Indeed, the Declaration of Independence itself was printed in the Caslon letter. It was the face commonly in ...

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