Twentieth-century Color Photographs

Twentieth-century Color Photographs PDF

Author: Sylvie Pénichon

Publisher: Getty Publications

Published: 2013

Total Pages: 362

ISBN-13: 1606061569

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With the advent of digital imaging, the era of traditional color photography is coming to an end. Yet more than 150 years after the invention of color photography, museums, archives, and personal collections are full of images to be cherished, studied, and preserved. These photographs, often made with processes and materials no longer used or easily identified, constitute an important part of the cultural and artistic heritage of the twentieth century. Today it is more important than ever to capture the technical understanding of the processes that created these irreplaceable images. In providing an accessible overview of the history and technology of the major traditional color photographic processes, this abundantly illustrated volume promises to become the standard reference in its field. Following an introductory chapter on color photography in the nineteenth century, seven uniformly structured chapters discuss the most commercially or historically significant processes of the twentieth century--additive color screen, pigment, dye imbibition, dye coupling, dye destruction, dye diffusion, and dye mordanting and silver toning--offering readers a user-friendly guide to materials, methods of identification, and common kinds of deterioration. A final chapter presents specific guidelines for collection management, storage, and preservation. There is also a glossary of technical terms, along with appendixes presenting detailed chronologies for Kodachrome and Ektachrome transparencies, Cibachrome/Ilfochrome printing materials, and Instant films. This book will interest instructors and students in classroom settings; conservators, registrars, curators, archivists, and collection caretakers; and anyone else concerned with the long-term preservation of color photographs.

Citizens of the Twentieth Century

Citizens of the Twentieth Century PDF

Author: August Sander

Publisher: MIT Press (MA)

Published: 1986

Total Pages: 552

ISBN-13:

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A major contribution to the history of photography in Germany, presenting a fine collection of little-known work by a major photographer and a most perceptive essay that is at once biographical, analytic and critical.

Encyclopedia of Twentieth-Century Photography, 3-Volume Set

Encyclopedia of Twentieth-Century Photography, 3-Volume Set PDF

Author: Lynne Warren

Publisher: Routledge

Published: 2005-11-15

Total Pages: 1823

ISBN-13: 1135205361

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The Encyclopedia of Twentieth-Century Photography explores the vast international scope of twentieth-century photography and explains that history with a wide-ranging, interdisciplinary manner. This unique approach covers the aesthetic history of photography as an evolving art and documentary form, while also recognizing it as a developing technology and cultural force. This Encyclopedia presents the important developments, movements, photographers, photographic institutions, and theoretical aspects of the field along with information about equipment, techniques, and practical applications of photography. To bring this history alive for the reader, the set is illustrated in black and white throughout, and each volume contains a color plate section. A useful glossary of terms is also included.

Cruel and Tender

Cruel and Tender PDF

Author: Emma Dexter

Publisher: Tate

Published: 2003-08

Total Pages: 292

ISBN-13:

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Published to accompany the exhibition held at Tate Modern, London, 5 June - 7 September, and Museum Ludwig, Cologne, 29 November 2003 - 18 February 2004.

The Ethics of Seeing

The Ethics of Seeing PDF

Author: Jennifer Evans

Publisher: Berghahn Books

Published: 2018-01-09

Total Pages: 306

ISBN-13: 1785337297

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Throughout Germany’s tumultuous twentieth century, photography was an indispensable form of documentation. Whether acting as artists, witnesses, or reformers, both professional and amateur photographers chronicled social worlds through successive periods of radical upheaval. The Ethics of Seeing brings together an international group of scholars to explore the complex relationship between the visual and the historic in German history. Emphasizing the transformation of the visual arena and the ways in which ordinary people made sense of world events, these revealing case studies illustrate photography’s multilayered role as a new form of representation, a means to subjective experience, and a fresh mode of narrating the past.

Camera Works

Camera Works PDF

Author: Michael North

Publisher: Oxford University Press

Published: 2005

Total Pages: 266

ISBN-13: 0195332938

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Camera Works is about the impact of photography and film on modern art and literature. With examples from the avant-garde of the little magazine and from classic authors like Fitzgerald and Hemingway, it argues that literature and art become modern by responding to these new means of representation.

Disappearing Witness

Disappearing Witness PDF

Author: Gretchen Garner

Publisher: JHU Press

Published: 2003-07-25

Total Pages: 344

ISBN-13: 9780801871672

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In documenting this transformation in American photography, Disappearing Witness forcefully rethinks the history of photography itself.

American Exposures

American Exposures PDF

Author: Louis Kaplan

Publisher: U of Minnesota Press

Published: 2005

Total Pages: 300

ISBN-13: 9780816645701

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"American Exposures sheds light on photographs, from Arthur Mole's propagandistic 'living photographs' of American icons and symbols to the exploration of contemporary subcultural communities by the Korean-born photographer and performance artist Nikki Lee, and asserts that the depiction of community is a central component to photography. Louis Kaplan deploys a number of critical concepts and theories developed by Jean-Luc Nancy in The Inoperative Community, as well as other philosophers, and applies them to the field of photography studies. With an original approach to photography from Edward Steichen's Family of Man exhibition to Pedro Meyer and the rise of the digital image, Kaplan points to a new way to think about the intimate relationship among photography, American life, and the artistic imagination." -- Back cover.