101 Pub Favourites for Buskers

101 Pub Favourites for Buskers PDF

Author: Music Sales

Publisher: Wise Publications

Published: 2012-09-19

Total Pages: 142

ISBN-13: 0857129295

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101 Pub Favourites for Buskers gives the melody line, lyrics and chords for a huge selection for songs guaranteed to raise the spirits of pub goers. From the riotous, bawdy and hilarious to the thoughtful, celebratory or fun, there is sure to be something in this collection to make your performance a favourite with the regulars and a draw for everyone else. The setlist includes: - A Hard Day’s Night - Ain’t No Pleasing You - Camptown Races - Danny Boy - Don’t Dilly Dally On The Way - Drunken Sailor - Galway Bay - Happy Days Are Here Again - Lambeth Walk - Let’s All Go Down The Strand - On The Sunny Side Of The Street - The Cokey Cokey - You’re Nobody Till Somebody loves You And many, many more.

101 No 1 Hits for Buskers

101 No 1 Hits for Buskers PDF

Author: Wise Publications

Publisher: Wise Publications

Published: 2012-09-19

Total Pages: 208

ISBN-13: 0857129309

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The Number one companion for Buskers, presented with melody line, lyrics and chords, this songbook can be used by piano, keyboard and guitar players alike, as well as singers. Containing a collection of 101 of your favourite No.1 hits, this book provides excellent value for money.

101 Christmas Hits for Buskers

101 Christmas Hits for Buskers PDF

Author: Peter Lavender

Publisher: Omnibus Press

Published: 1986

Total Pages: 166

ISBN-13: 9780711910461

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These Christmas songs are arranged for keyboard with guitar chords plus lyrics to every song. The spiral binding makes it easy to keep open on a keyboard and music stand. All the favourites are here to sing and play at home during the festive season.

Musical Worlds in Yogyakarta

Musical Worlds in Yogyakarta PDF

Author: Max Richter

Publisher: BRILL

Published: 2012-01-01

Total Pages: 222

ISBN-13: 9004253491

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Musical Worlds in Yogyakarta addresses themes of social identity and power, counterpoising Pierre Bourdieu’s theories on class, gender and nation with the author’s alternative perspectives of inter-group social capital, physicality and grounded cosmopolitanism. The author argues that Yogyakarta is exemplary of how everyday people make use of music to negotiate issues of power and at the same time promote peace and intergroup appreciation in culturallydiverse inner-city settings.

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