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101 Chambers

Author: Peverill Squire

Publisher: Ohio State University Press

Published: 2005

Total Pages: 222

ISBN-13: 0814209386

"The book compares and contrasts Congress and the state legislatures on histories, fundamental structures, institutional and organizational characteristics, and members. By highlighting the vast array of organizational schemes and behavioral patterns evidenced in state legislatures, the authors demonstrate that the potential for the study of American legislatures, as opposed to the separate efforts of Congressional and state legislative scholars, is to great to leave unexplored."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Heads of Families at the First Census of the United States Taken in the Year 1790

Author: United States. Bureau of the Census

Publisher:

Published: 1952

Total Pages: 204

ISBN-13:

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Chambers

Author: Alvin Lucier

Publisher: Wesleyan University Press

Published: 2012-12-20

Total Pages: 188

ISBN-13: 0819573086

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Chambers is a virtually complete collection of composer Alvin Lucier's major works from 1965 to 1977, interspersed with twelve interviews with the composer by Douglas Simon. Each score is written in prose and may be read by musicians as instructions for performance or by general readers as descriptions of imaginary musical activities. In response to Simon's searching questions, Lucier expands on each composition, not only explaining its genesis and development but also revealing its importance to the vigorously experimental American tradition to which Alvin Lucier belongs. Many of his compositions jolt conventional notions of the role of composer, performer, and listener, and the spaces in which they play and listen. His works are scored for an astonishing range of instruments: seashells, subway stations, toy crickets, sonar guns, violins, synthesizers, bird calls, and Bunsen burners. All are unique explorations of acoustic phenomena – echoes, brain waves, room resonances – and radically transform the idea of music as metaphor into that of music as physical fact.